Music in Ireland Experiencing Music, Expressing Culture

ISBN-10: 0195145550

ISBN-13: 9780195145557

Edition: 2004

List price: $49.95 Buy it from $14.54 Rent it from $39.98
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Description:

Music in Ireland is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Music in Ireland provides an engaging and focused introduction to Irish traditional music--types of singing, instrumental music, and dance that reflect the social values and political messages central to Irish identity. This music thrives today not only in Ireland but also in areas throughout North America, Europe, Australia, and Asia. Vividly evoking Irish sounds, instruments, and dance steps, Music in Ireland provides a springboard for the discussion of cultural and historical issues of identity, community, nationalism, emigration, transmission, and gender. Using the informal instrumental and singing session as a focal point, Dorothea E. Hast and Stanley Scott take readers into contemporary performance environments and explore many facets of the tradition, from the "craic" (good-natured fun) to performance style, repertoire, and instrumentation. Incorporating first-person accounts of performances and interviews with performers and folklorists, the authors emphasize the significant roles that people play in music-making and illuminate national and international musical trends. They also address commercialism, globalization, and cross-cultural collaboration, issues that have become increasingly important as more Irish artists enter the global marketplace through recordings, tours, and large-scale productions like Riverdance. Packaged with a 70-minute CD containing examples of the music discussed in the book, Music in Ireland features guided listening and hands-on activities that allow readers to gain experience in Irish culture by becoming active participants in the music.
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Book details

List price: $49.95
Copyright year: 2004
Publisher: Oxford University Press, Incorporated
Publication date: 6/24/2004
Binding: Paperback
Pages: 176
Size: 5.50" wide x 8.25" long x 0.50" tall
Weight: 0.484
Language: English

Bonnie Wade earned her B.Mus. from Boston University in 1963, her M.A. in ethnomusicology from UCLA in 1967, and her PhD in ethnomusicology from UCLA in 1971. She taught at Brown University until 1975, when she moved to to the University of California Berkeley, where she is professor of music.  

Foreword
Preface
Pronunciation Guide
CD Track List
Invitation to a Session
What is Traditional Irish Music?
Basic Themes
Historical Continuities: Music, Dance, and the Making of a Nation
Colonialism in Ireland
Edward Bunting and Thomas Moore
Dancing and Dance Music
Music, Religion, and Political Struggle
Emigration
"The Green Fields of Canada"
"Edward Connors"
Nationalism
Home Rule and the Gaelic League
Constructing an Irish Ireland
Conclusion
Passing on the Tradition
Learning by Osmosis: Mary MacNamara and Kevin Crawford
Competitions
The Willie Clancy Summer School
The Dance Tune Tradition
Tune Structure
Tune Collections
Tune Aesthetics: Variation and Ornamentation
Tune Names and Tune Types
Jig
Reel
Hornpipe
Polka and Waltz
A Tune in Performance: Garrett Barry's Jig
Instruments
Uilleann Pipes
Harp
Fiddle and Fiddle Styles
Concertina
Tin Whistle
Flute
Plucked Instruments
The Bodhran
Piano, Synthesizers, and Electric Instruments
Solo versus Ensemble Playing: Sessions, Ceili Bands, and Small Groups
Singers, Sessions, and Songs
The Goilin Singers' Club and the Folk Revival
The Sean-nos in the New Ireland: Irish Singing Traditions
The Lyrics of Sean-nos
The Sound of Sean-nos
A Singer's Mission
A Linguistic Meeting-Ground: Irish Traditional Songs in English
A Floating Repertoire of Tunes and Verses
Len Graham: "A Compulsive Singer"
Conclusion
Irish Music in the Global Marketplace
Riverdance
Black 47
New Directions
Conclusion
Glossary
References
Resources
Index
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