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Music in Japan Experiencing Music, Expressing Culture

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ISBN-10: 0195144872

ISBN-13: 9780195144871

Edition: 2004

Authors: Bonnie C. Wade

List price: $39.95
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Description:

Music in Japan: Experiencing Music, Expressing Culture is one of the case study volumes in the Global Music Series, edited by Bonnie C. Wade and Patricia Shehan Campbell. This volume provides a vivid introduction to the music of contemporary Japan, a nation in which traditional music, Western music, and popular music thrive side by side. This text points out the centrality of Western and Popular musical idioms in Japanese cultural life, exploring how music in Japan has beenprofoundly affected by the interface with other cultures. Additionally, the text discusses the intertextuality of Japanese music, exploring how familiar themes, musical sounds, and structures have been maintained and…    
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Book details

List price: $39.95
Copyright year: 2004
Publisher: Oxford University Press, Incorporated
Publication date: 9/23/2004
Binding: Hardcover
Pages: 184
Size: 8.20" wide x 5.60" long x 0.60" tall
Weight: 0.880
Language: English

Bonnie Wade earned her B.Mus. from Boston University in 1963, her M.A. in ethnomusicology from UCLA in 1967, and her PhD in ethnomusicology from UCLA in 1971. She taught at Brown University until 1975, when she moved to to the University of California Berkeley, where she is professor of music.  

Foreword
Preface
CD Track List
International Interface: Looking Westward
Setting the Scene
"The West" Goes to Japan
Meiji-Period Modernization
World War I and Immediately Following
International Interface: Looking Eastward
Tradition in a Time of Change
Interface in the First Millennium
The Gagaku Ensemble as We Hear It
Aerophones
Chordophones
Membranophones and an Idiophone
Percussion Parts in Gagaku Music
Strokes and Stroke Sequences
Coordinated Percussion Patterns
Gagaku through Time
Focusing Inward and Across Boundaries
Beyond Classical Music Training
Beyond the Palace
Beyond the Temple
Fuzzing of Folk and Popular
Tsugaru syamisen
The Syamisen
Drumming Ensembles
Matsuri bayashi
Within the World of Koto
Keiko Nosaka and the Twenty-stringed Koto
Tsukushi-goto
Yatsuhashi Ryu and "Rokudan"
Ikuta Kengyo and Yamada Kengyo
Michio Miyagi and Shin nihon ongaku
Traditional Music for Koto
Contemporary Composition for Koto
From Theater to Film
Intertextuality in the Theatrical Arts
The No Drama and Ataka
The Staging
The Plays and Musical Setting
The Acting Forces
Movement
The Musicians and Instruments
The Kabuki Theater
From No to Kabuki
Kanjincho
The Musicians
The Music
The Film Men Who Step on the Tiger's Tail
Managing International Interface
Continuing Interface
Looking to the East
Niche Musics from Around the World
Jazz and the Authenticity Issue
Hip-hop in Japan
Continuing the Inward Look
National Cultural Policies
The Choral Phenomenon
Music and the Media
Film Music
Enka
J-pop
Theme Songs
The New York Nexus
Noise
From Japan Outward
Japanese Diasporas
Karaoke
Jazz and "Japaneseness"
Kurasiku ongaku
Sharing the Concern about "Japaneseness"
Expressing "Japaneseness" Aesthetically
The Seasons in Japanese Music
Keiko Abe and the Marimba
Conclusion
Glossary
References
Resources
Index