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| Introduction: The Great Exhibition of 1851, London | |
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| Paris: the capital of modern art | |
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| New technology | |
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| The beginnings of modern art | |
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| Realism to Surrealism | |
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| Realism | |
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| Impressionism | |
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| Symbolism | |
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| Post-Impressionism | |
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| Neo-Impressionism | |
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| Synthetism | |
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| The Nabis | |
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| The Fauves | |
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| Expressionism | |
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| Cubism | |
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| Futurism | |
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| Orphism | |
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| Vorticism | |
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| Suprematism/Constructivism | |
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| Neo-Plasticism | |
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| Dada | |
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| Purism | |
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| Surrealism | |
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| The '-ism' problem | |
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| The Conditions for Modern Art | |
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| Urban Capitalism | |
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| Paris and the birth of the modern city | |
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| Capitalist society | |
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| The commodification of art | |
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| The modern condition | |
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| Modernity, Representation, and the Accessible Image | |
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| The art museum | |
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| Temporary exhibitions | |
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| Lithography | |
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| Photography | |
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| Conclusion | |
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| The Artist's Response | |
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| Representation, Vision, and 'Reality': The Art of Seeing | |
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| The human eye | |
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| Transparency and unmediated modernism | |
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| Surface fetishism and unmediated modernism | |
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| Photography and unmediated modernism | |
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| Beyond the oil sketch | |
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| Cubism | |
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| Image/Modernism and the Graphic Traffic | |
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| The Pre-Raphaelite brotherhood | |
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| Puvis de Chavannes and Gustave Moreau: image/modernism outside the avant-garde | |
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| Image/modernism outside France | |
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| Exhibitions of the avant-garde | |
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| Fragmentation, dislocation, and recombination | |
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| Iconology | |
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| Introduction | |
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| Sexuality and the Body | |
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| Manet's bodies | |
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| Modern art and pornography | |
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| The nude and the modernist cycle of life | |
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| The bathing nude | |
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| The allegorical or non-sexual nude | |
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| Colonialism and the nude: the troubled case of Gauguin | |
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| The bride stripped bare | |
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| Body parts and fragments | |
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| Social Class and Class Consciousness | |
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| Seurat and A Summer Sunday on the Island of the Grande Jatte (1884) | |
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| Class issues in modernist culture | |
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| Portraiture | |
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| Images of peasantry | |
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| The worker and modern art | |
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| Anti-Iconography: Art Without 'Subject' | |
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| Landscape painting | |
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| Text and image | |
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| Abstraction | |
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| Nationalism and Internationalism in Modern Art | |
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| National identity | |
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| Time and place | |
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| Abstract art, spiritualism, and internationalism | |
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| Nationalist landscape painting | |
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| Afterword: The Private Institutionalization of Modern Art | |
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| Notes | |
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| List of Illustrations | |
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| Bibliographic Essay | |
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| Timeline | |
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| Index | |