| Preface | |
| Keyboard Basics | |
| Keyboard Posture | |
| Finger Numbers | |
| Basic Note Values | |
| The Keyboard | |
| The Major Five-Finger Pattern | |
| Dynamics | |
| Reading Notes | |
| Intervals | |
| Keeping Time | |
| Slur and Phrase Markings | |
| Key Signature | |
| Transposition | |
| Eighth Notes and Eighth Rests | |
| Drone Bass | |
| Repertoire | |
| Improvisation | |
| Harmonization | |
| Sightreading Studies | |
| Technical Studies | |
| Rhythmic Studies | |
| Ensemble Pieces | |
| Worksheet Review | |
| The Five-Finger Pattern | |
| Playing in Different Registers | |
| Tempo Markings | |
| More Dynamic Markings | |
| Dotted Quarter Notes | |
| Accidentals | |
| Slurs | |
| Parallel Motion | |
| 6/8 Time | |
| Identifying Flat Key Signatures | |
| Change of Dynamics | |
| Contrary Motion | |
| Major Triads | |
| Five-Finger Studies and Triads in Major | |
| The Minor Five-Finger Pattern | |
| Minor Triads | |
| Five-Finger Studies and Triads in Major and Minor | |
| More Tempo Markings | |
| Pieces Using Major and Minor Triads | |
| The Dominant Seventh Chord | |
| Block-Chord Accompaniments with I and V6/5 | |
| Music Chord Symbols | |
| Five-Finger Melodies with Letter-Name Chord Symbols for I and V6/5 Chord Accompaniments | |
| The Subdominant Chord | |
| Cadences | |
| The Circle of Fifths and Major Key Signatures | |
| Pieces with I-IV6/4-V6/5 Accompaniments | |
| Five-Finger Melodies with Letter-Name Chord Symbols for I, IV6/4, and V6/5 Chord Accompaniments | |
| Changing Five-Finger Positions | |
| Repertoire | |
| Improvisation | |
| Creative Music and Harmonization | |
| Sightreading Studies | |
| Rhythmic Studies | |
| Technical Studies | |
| Ensemble Pieces | |
| Worksheet Review | |
| Pieces with Easy Accompaniments | |
| Major Scales | |
| Major Scales in Tetrachord Position | |
| Major Scales with Fingerings for Both Hands Together | |
| Scale Studies in Clusters | |
| Triads on Major-Scale Degrees | |
| Intervals of a Sixth, Seventh, and Eighth (Octave) | |
| Extending the Five-Finger Position | |
| Sixteenth Notes and Sixteenth Rests | |
| The Dotted Eighth Note | |
| Musical Forms: AB and ABA | |
| Melodies with Letter-Name Chord Symbols for I, IV6/4, and V6/5 Chords | |
| Broken-Chord Accompaniment Patterns | |
| Arpeggio Accompaniment Patterns | |
| Syncopation | |
| The Damper Pedal | |
| Other Accompaniment Patterns | |
| Secondary Chords | |
| Intervals Within the Scale | |
| Melodic Lines with Intervals | |
| Chord Inversions | |
| The Damper Pedal (Indirect Pedaling) | |
| Hymn Style | |
| Augmented and Diminished Triads | |
| Repertoire | |
| Improvisation | |
| Creative Music and Harmonization | |
| Sightreading Studies | |
| Rhythmic Studies | |
| Technical Studies | |
| Ensemble Pieces | |
| Worksheet Review | |
| Tonality and Atonality | |
| Minor Scales | |
| Minor Key Signatures | |
| Natural Minor Scales in Tetrachord Positions | |
| Harmonic Minor Scales | |
| i-iv6/4-i-V6/5-i Chord Progression | |
| Parallel Major and Minor Scales | |
| Other Scale Forms (Modes) | |
| The Chromatic Scale | |
| Jazz | |
| Pandiatonicism | |
| The Whole-Tone Scale | |
| Bitonality | |
| Atonality | |
| Innovative Notations | |
| Quartal Harmony | |
| Repertoire | |
| Bitonal Improvisation | |
| Sightreading Studies | |
| Ensemble Pieces | |
| Worksheet Review | |
| Letter-Name Chord Symbols | |
| Letter Names of I, IV, and V7 Chords | |
| Melodies with Letter-Name Chord Symbols | |
| Famous Themes | |
| Strumming Accompaniments | |
| Arpeggio Accompaniments | |
| Major and Minor Seventh Chords | |
| Letter-Name Chord Chart | |
| Ensemble Pieces | |
| Twenty-Four Piano Classics | |
| Rameau, Tambourin | |
| Schein, Allemande | |
| Corelli, Sarabande | |
| Krieger, Minuet in A Minor | |
| Witthauer, Gavotte | |
| Telemann, Gigue | |
| Mozart, L., Burleske (from Notebook for Wolfgang) | |
| Haydn, Gypsy Dance (Trio) | |
| Bach/Ricci, Risoluto | |
| Mozart, W.A., Minuet in C | |
| Beethoven, German Dance | |
| Schumann, Melody (from 43 Piano Pieces for the Young, Op. 68) | |
| Rebikoff, The Bear | |
| Bartok, Springtime Song (No. 2 from For Children, Vol. 1) | |
| Kadosa, Homage to Bartok | |
| Kabalevsky, A Conversation (Op. 39, No. 7) | |
| Hovhaness, Moon Dance (No. 2 from Mountain Idylls | |
| Starer, Evens and Odds | |
| Gillock, Autumn Is Here | |
| Hartsell, Moonlit Shores | |
| Mier, Sneaky Business | |
| Tingley, Dreamscape | |
| Tingley, Early Spring | |
| Score Reading | |
| Three-Part Texture | |
| Four-Part Texture | |
| Major and Harmonic Minor Scales in Two Octaves | |
| Major Scales in Two Octaves | |
| Harmonic Minor Scales in Two Octaves | |
| Three Patriotic Song Arrangements | |
| Carey, America | |
| Bates/Ward, America the Beautiful | |
| Key/Smith, The Star-Spangled Banner | |
| Performance Terms and Symbols | |
| Title Index | |
| Composer Index | |
| Subject Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |