Skip to content

On Literature

Best in textbook rentals since 2012!

ISBN-10: 0151008124

ISBN-13: 9780151008124

Edition: 2004

Authors: Umberto Eco, Martin McLaughlin, Umberto Eco

List price: $26.00
Blue ribbon 30 day, 100% satisfaction guarantee!
what's this?
Rush Rewards U
Members Receive:
Carrot Coin icon
XP icon
You have reached 400 XP and carrot coins. That is the daily max!

Description:

In this collection of essays and addresses delivered over the course of his illustrious career, Umberto Eco seeks "to understand the chemistry of [his] passion" for the word. From musings on Ptolemy and "the force of the false" to reflections on the experimental writing of Borges and Joyce, Eco's luminous intelligence and encyclopedic knowledge are on dazzling display throughout. And when he reveals his own ambitions and superstitions, his authorial anxieties and fears, one feels like a secret sharer in the garden of literature to which he so often alludes. Remarkably accessible and unfailingly stimulating, this collection exhibits the diversity of interests and the depth of knowledge…    
Customers also bought

Book details

List price: $26.00
Copyright year: 2004
Publisher: Houghton Mifflin Harcourt Publishing Company
Publication date: 12/6/2004
Binding: Hardcover
Pages: 352
Size: 6.25" wide x 9.25" long x 1.25" tall
Weight: 1.320
Language: English

Umberto Eco was born in Alessandria, Italy on January 5, 1932. He received a doctorate of philosophy from the University of Turin in 1954. His first book, Il Problema Estetico in San Tommaso, was an extension of his doctoral thesis on St. Thomas Aquinas and was published in 1956. His first novel, The Name of the Rose, was published in 1980 and won the Premio Strega and the Premio Anghiar awards in 1981. His other works include Foucault's Pendulum, The Island of the Day Before, and The Prague Cementary.

Introduction
On Some Functions of Literature
A Reading of the Paradiso
On the Style of The Communist Manifesto
The Mists of the Valois
Wilde: Paradox and Aphorism
A Portrait of the Artist as Bachelor
Between La Mancha and Babel
Borges and My Anxiety of Influence
On Camporesi: Blood, Body, Life
On Symbolism
On Style
Les Semaphores sous la Pluie
The Flaws in the Form
Intertextual Irony and Levels of Reading
The Poetics and Us
The American Myth in Three Anti-American Generations
The Power of Falsehood
How I Write