| |
| |
Foreword | |
| |
| |
| |
Introduction | |
| |
| |
| |
The Maze | |
| |
| |
Tapestry | |
| |
| |
The Dance | |
| |
| |
Tapestry | |
| |
| |
"Somewhere you can find reference" | |
| |
| |
12.29 & 30 (Pan as the son of Penelope) | |
| |
| |
"A song in the rope" | |
| |
| |
"Waiting again" | |
| |
| |
"They are constructing a craft" | |
| |
| |
"It is lonely" | |
| |
| |
Caption for a miniature | |
| |
| |
My Sister Evelyne | |
| |
| |
Tapestry | |
| |
| |
Burning the Baby to make him realer | |
| |
| |
Iliad: Achilles does not die | |
| |
| |
"Fragmented. ie several valleys" | |
| |
| |
"Look the bird is making plans" | |
| |
| |
The Hunt in the Wood: Paolo Uccello | |
| |
| |
"My father died this spring" | |
| |
| |
Those things we see are images of the past | |
| |
| |
"The persimmons are falling" | |
| |
| |
Waiting | |
| |
| |
The Odyssey Poems | |
| |
| |
The Pigs for Circe in May | |
| |
| |
"She comes up" | |
| |
| |
"I didn't want to think" | |
| |
| |
From The Imaginary Apparitions | |
| |
| |
Places to Go I-IV & Here | |
| |
| |
"Dear, Dearest" | |
| |
| |
A Novel | |
| |
| |
May 29 | |
| |
| |
July 21, Weedy | |
| |
| |
The Tree in the Fire | |
| |
| |
Descartes and the Splendor Of | |
| |
| |
"From this moment" | |
| |
| |
Lord Ganesha | |
| |
| |
Tuesday, October 28, 1969. Bolinas | |
| |
| |
October 28, Take It Easier | |
| |
| |
October 29, Wednesday | |
| |
| |
October 31 | |
| |
| |
November 12 | |
| |
| |
Thursday, 13 November | |
| |
| |
Monday, November 17 | |
| |
| |
Back in Time | |
| |
| |
"Never talk ahead" | |
| |
| |
"I walked home & had some soup" | |
| |
| |
"This is a Short Story" | |
| |
| |
Joanne | |
| |
| |
"Still" | |
| |
| |
Not Yet | |
| |
| |
"It's been a long time" | |
| |
| |
News bulletin from Keith Lampe | |
| |
| |
Desecheo Notebook | |
| |
| |
"The rain" | |
| |
| |
"Bird family" | |
| |
| |
"This is the way I like to feel the best" | |
| |
| |
"I want to point out that I am not up tight" | |
| |
| |
"Often I try so hard with stimulants" | |
| |
| |
"Utmost Disarray" | |
| |
| |
"No one was watching the tortillas" | |
| |
| |
"I want a smaller thing in mind" | |
| |
| |
"Oft have I wondered and climbed" | |
| |
| |
Trip Out and Fall Back | |
| |
| |
"A small field of tall golden headed grass" | |
| |
| |
September | |
| |
| |
"O fresh day in February" | |
| |
| |
"Every day I burn a stick of incense" | |
| |
| |
"When I used to focus" | |
| |
| |
"This is the first time" | |
| |
| |
"I don't believe in any" | |
| |
| |
"The far off pine" | |
| |
| |
"When I was well into being savored" | |
| |
| |
"When I step through the door" | |
| |
| |
"In my imaginary conversation" | |
| |
| |
"I thought I would never get out here again" | |
| |
| |
"It is true" | |
| |
| |
"Looking out to the garden fair" | |
| |
| |
"It's a great day" | |
| |
| |
"Wooden walls" | |
| |
| |
"Of all things for you to go away" | |
| |
| |
"The apple tree" | |
| |
| |
"Chill waves" | |
| |
| |
"Throwing a crank" | |
| |
| |
"Is this the Buddha?" | |
| |
| |
"I don't want to repeat" | |
| |
| |
"April 4, 1975 Time of wonder" | |
| |
| |
The Brain Impressed in Its Oddities | |
| |
| |
"I'm going to be a poet" | |
| |
| |
Morning Mess | |
| |
| |
"Bright, sparkling" | |
| |
| |
Saturday Full Moon September | |
| |
| |
"I'd like to magic you on this grand occasion" | |
| |
| |
"There are so many letters I would like to write" | |
| |
| |
"I am afraid" | |
| |
| |
Silver City Overlay | |
| |
| |
Up My Coast | |
| |
| |
The Crystal in Tamalpais | |
| |
| |
Destruction | |
| |
| |
Visit to Maya Land | |
| |
| |
The Wonderful Focus of You | |
| |
| |
And with March a Decade in Bolinas | |
| |
| |
"You believe this stash of writing is 'scholarly'?" | |
| |
| |
"A few days later at the washtub" | |
| |
| |
The Depressed Ennui before 11 A.M. | |
| |
| |
"Stripes of red, black, and gold" | |
| |
| |
"Not much time left" | |
| |
| |
My how the days fly by in Life Time | |
| |
| |
Haiku for Charles Berrard on his 40th Birthday | |
| |
| |
"In my dream last night Deer Lady" | |
| |
| |
"Yesterday when Diana drops me off on Evergreen" | |
| |
| |
"The Karmapa spoke to me from a center of light" | |
| |
| |
Good Manners | |
| |
| |
"Morning is such a welcome time. It doesn't demand" | |
| |
| |
"Dinner at Briarcomb, that Artists' posh retreat" | |
| |
| |
Thanksgiving | |
| |
| |
December 25 | |
| |
| |
Philip Whalen's Hat | |
| |
| |
Day after Ted Berrigan's Memorial Reading | |
| |
| |
January 12, 1984 | |
| |
| |
June 26 | |
| |
| |
Monday Afternoon May 14, 1984 | |
| |
| |
"Giverny I am for Gee Verr Nee" | |
| |
| |
Itsy Bitsy Polka Dot Review | |
| |
| |
Fall Equinox | |
| |
| |
From Phenomenological | |
| |
| |
"Self Loathing & Self Pity" | |
| |
| |
"Tuesday May 7" | |
| |
| |
Love Boat | |
| |
| |
Yuppy Wittgensteins Arise! | |
| |
| |
Miwok Mandarin Bolinas Bamboo | |
| |
| |
"Ah it's socked in today boys heavy metal" | |
| |
| |
"You know when you write poetry you find" | |
| |
| |
"Oh Man is the highest type of animal existing" | |
| |
| |
"Anything that is created" | |
| |
| |
"Darrel Gray dies when I am in Mexico" | |
| |
| |
Tuesday October 27, '87 | |
| |
| |
From the Jataka Tales | |
| |
| |
Take It O Moon on the run | |
| |
| |
Narcissus | |
| |
| |
Saturday February 4 | |
| |
| |
February 7 Tuesday | |
| |
| |
February 17 Friday | |
| |
| |
Death Valley Desert Notes | |
| |
| |
Incense for the Buddha | |
| |
| |
"The sun is about to pass" | |
| |
| |
"Haven't I seen you" | |
| |
| |
"Cold" | |
| |
| |
In Memoriam | |
| |
| |
From the Life of Naropa | |
| |
| |
"It certainly was divine running into you" | |
| |
| |
Friday Night | |
| |
| |
A Story from Easter: He Has Risen | |
| |
| |
Ocean Parkway Gazing | |
| |
| |
"Specially For Your Eyes" | |
| |
| |
Adonis Is Older Than Jesus | |
| |
| |
"Again recognizing" | |
| |
| |
"How Does one attain that popular narrative" | |
| |
| |
Town Hall Reading with Beat Poets | |
| |
| |
Watching TV | |
| |
| |
Terrace Roads slumps into the Canyon | |
| |
| |
I Blinked My Eyes, Looked Up and Everyone Was 25 Years Older | |
| |
| |
"Replacement Buddhas" | |
| |
| |
Wake Up | |
| |
| |
View North | |
| |
| |
Bob Marley Night Saturday Downtown | |
| |
| |
"So, well, now" | |
| |
| |
Snapshot for Lew Welch 25 Years Later | |
| |
| |
"Dear dear little wrentit" | |
| |
| |
"You?" | |
| |
| |
Wide Mind | |
| |
| |
Arthur Okamura's Pipul Tree's Bodhi Leaf | |
| |
| |
First Nation | |
| |
| |
"I thought, I'll make it so simple" | |
| |
| |
Grateful | |
| |
| |
Stupidly Inspired | |
| |
| |
For the Pittosporum Tenuifolium Outside the Studio Window | |
| |
| |
It's So | |
| |
| |
Naropa approaches his teacher Instruction time again | |
| |
| |
Try | |
| |
| |
"The 'English' sparrows in the courtyard don't know" | |
| |
| |
"What you really don't want is some" | |
| |
| |
Your Heart Is Fine | |
| |
| |
To Live in This World Again | |
| |
| |
I Can't Help It | |
| |
| |
"Whatever It Takes" | |
| |
| |
The Dharani | |
| |
| |
Forever and a While | |
| |
| |
The Fog is halfway over the mesa | |
| |
| |
Bibliography | |