Skip to content

Art of Fiction Illustrated from Classic and Modern Texts

Best in textbook rentals since 2012!

ISBN-10: 0140174923

ISBN-13: 9780140174922

Edition: 1992

Authors: David Lodge, David Lodge

Blue ribbon 30 day, 100% satisfaction guarantee!

Rental notice: supplementary materials (access codes, CDs, etc.) are not guaranteed with rental orders.

what's this?
Rush Rewards U
Members Receive:
Carrot Coin icon
XP icon
You have reached 400 XP and carrot coins. That is the daily max!

Customers also bought

Book details

List price: $16.00
Copyright year: 1992
Publisher: Penguin Publishing Group
Publication date: 7/1/1994
Binding: Paperback
Pages: 256
Size: 5.01" wide x 7.70" long x 0.69" tall
Weight: 0.396
Language: English

Writing both literary criticism and novels, British author David Lodge has learned to practice what he teaches. A professor of Modern English literature, both his fiction and nonfiction have found a large readership in the United Kingdom and the United States. To maintain his dual approach to writing, Lodge has attempted to alternate a novel one year and a literary criticism the next throughout his career. Lodge's fiction has been described as good writing with a good laugh, and he is praised for his ability to treat serious subjects sardonically. This comic touch is evident in his first novel, "The Picturegoers" (1960) in which the conflict of Catholicism with sensual desire, a recurrent…    

Preface
Beginning (Jane Austen, Ford Madox Ford)
The Intrusive Author (George Eliot, E. M. Forster)
Suspense (Thomas Hardy)
Teenage Skaz (J. D. Salinger)
The Epistolary Novel (Michael Frayn)
Point of View (Henry James)
Mystery (Rudyard Kipling)
Names (David Lodge, Paul Auster)
The Stream of Consciousness (Virginia Woolf)
Interior Monologue (James Joyce)
Defamiliarization (Charlotte Bronte)
The Sense of Place (Martin Amis)
Lists (F. Scott Fitzgerald)
Introducing a Character (Christopher Isherwood)
Surprise (William Makepeace Thackeray)
Time-Shift (Muriel Spark)
The Reader in the Text (Laurence Sterne)
Weather (Jane Austen, Charles Dickens)
Repetition (Ernest Hemingway)
Fancy Prose (Vladimir Nabokov)
Intertextuality (Joseph Conrad)
The Experimental Novel (Henry Green)
The Comic Novel (Kingsley Amis)
Magic Realism (Milan Kundera)
Staying on the Surface (Malcolm Bradbury)
Showing and Telling (Henry Fielding)
Telling in Different Voices (Fay Weldon)
A Sense of the Past (John Fowles)
Imagining the Future (George Orwell)
Symbolism (D. H. Lawrence)
Allegory (Samuel Butler)
Epiphany (John Updike)
Coincidence (Henry James)
The Unreliable Narrator (Kazuo Ishiguro)
The Exotic (Graham Greene)
Chapters etc (Tobias Smollett, Laurence Sterne, Walter Scott, George Eliot, James Joyce)
The Telephone (Evelyn Waugh)
Surrealism (Leonora Carrington)
Irony (Arnold Bennett)
Motivation (George Eliot)
Duration (Donald Barthelme)
Implication (William Cooper)
The Title (George Gissing)
Ideas (Anthony Burgess)
The Non-Fiction Novel (Thomas Carlyle)
Metafiction (John Barth)
The Uncanny (Edgar Allan Poe)
Narrative Structure (Leonard Michaels)
Aporia (Samuel Beckett)
Ending (Jane Austen, William Golding)
Bibliography of primary sources
Index of Names