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Preface | |
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Birth and Childhood of a New Art - 1895-1914 | |
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Brief Motion-Picture Records of Actuality and of Performances | |
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Telling Stories through Staged and Filmed Pantomime | |
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Telling Stories through Filmic Means | |
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The Language of Film | |
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Increasing Films to Feature Length | |
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Films of the Period | |
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Books on the Period | |
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Rise of the American Film - 1914-1919 | |
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The First American Epics | |
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A Tradition of Screen Comedy Is Established | |
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Emerging Patterns of Industry | |
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Films of the Period | |
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Books on the Period | |
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Great German Silents - 1919-1928 | |
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Predominant Types and Themes | |
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Principal Technical and Stylistic Advances | |
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Mirror of the Culture | |
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Influence on Hollywood | |
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Films of the Period | |
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Books on the Period | |
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Art and Dialectic in the Soviet Film - 1925-1929 | |
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Historical Setting | |
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Beginnings | |
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Three Silent Masters | |
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Montage: Theory and Practice | |
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Films of the Period | |
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Books on the Period | |
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Hollywood in the Twenties - 1919-1929 | |
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Movies Become Big Business | |
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Ascendancy of the Director | |
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Popular Genres | |
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Sound Arrives | |
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Films of the Period | |
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Books on the Period | |
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France in the Twenties and Thirties - 1919-1939 | |
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The First Avant-Garde: Impressionism | |
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The Second Avant-Garde: Pure Cinema | |
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The Golden Age of the 1930s | |
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Films of the Period | |
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Books on the Period | |
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Hollywood in the Thirties and Early Forties - 1929-1945 | |
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The Industry | |
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Censorship, Self-Regulation, and Pressure Groups | |
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Notable Directors of the 1930s | |
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Emergent Genres in the 1930s | |
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Wartime | |
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A 1940s Genre: Film Noir | |
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Orson Welles: Boy Genius | |
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Films of the Period | |
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Books on the Period | |
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Postwar Italy: Neorealism and Beyond - 1945- | |
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Theory and Practice of Neorealism | |
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Two Major Directors of the Neorealist Era | |
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Period of Transition: 1952-1960 | |
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Emergence of a New Style: Three Directors of the 1960s | |
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Neo-Neorealism: Three Directors of the 1960s and 1970s | |
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The 1970s and Beyond: A New Generation of Film Makers | |
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Films of the Period | |
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Books on the Period | |
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British Film after the War: Humor, Horror, and Social Criticism - 1945- | |
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The Griersonian Documentary Tradition | |
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Postwar Comedies | |
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Free Cinema and Social-Realist Features | |
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The Gothic Strain | |
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Americans Abroad | |
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State of the Industry | |
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Films of the Period | |
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Books on the Period | |
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Films of the Auteurs: The French New Wave and After - 1954- | |
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Auteurism | |
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Precursors to the New Wave | |
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The New Wave Arrives | |
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New Wave Directors | |
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Left Bank Directors and Others | |
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New Politics and New Theories of Authorship | |
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After the New Wave | |
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Films of the Period | |
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Books on the Period | |
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Other Western European Cinemas: National Cinemas or Eurofilms? - 1945- | |
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Scandinavia | |
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Germany | |
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Spain | |
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Films of the Period | |
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Books on the Period | |
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Eastern European Cinema: Film Making for the State - 1954- | |
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Poland | |
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Hungary | |
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Czechoslovakia | |
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Yugoslavia | |
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The Soviet Union and After | |
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Films of the Period | |
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Books on the Period | |
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Japanese Film: A Pictorial Tradition and a Modernist Edge - 1951- | |
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The Japanese Style | |
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Three Japanese Masters | |
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Other Japanese Film Makers of the Classic Era | |
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The Japanese New Wave | |
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Recent Developments | |
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Films of the Period | |
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Books on the Period | |
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Other Asian Film-Making Traditions - 1956- | |
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India: Film and National Identity | |
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China: Three Cinemas | |
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Films of the Period | |
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Books on the Period | |
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Hollywood in Transition - 1945-1962 | |
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Television | |
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New Screen Processes | |
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Fall of the Studios, Rise of the Independents | |
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Internationalization | |
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Loosened Controls on Content | |
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Liberalism, Communism, and Anti-Communism: The House Un-American Activities Committee and Blacklisting | |
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Major Genres | |
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American Directors of the 1950s | |
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Films of the Period | |
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Books on the Period | |
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American Reemergence - 1963-1974 | |
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Popular Genres | |
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The American New Wave | |
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Independent Voices | |
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Films of the Period | |
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Books on the Period | |
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Recent National Movements - 1959- | |
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Latin America | |
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Africa | |
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Australia | |
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Canada | |
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Iran | |
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Films of the Period | |
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Books on the Period | |
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Here and Now: United States - 1975- | |
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The Economy and Technology | |
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Emerging Genres | |
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Studio Stalwarts | |
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Independent Voices | |
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Multicultural Agendas | |
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Multinationalism | |
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Films of the Period | |
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Books on the Period | |
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Index | |