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Music for Sightsinging

ISBN-10: 0131896628
ISBN-13: 9780131896628
Edition: 6th 2004 (Revised)
Authors: Robert W. Ottman
List price: $94.00
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Description: For freshman/sophomore-level courses in any Music Theory curriculum. Blending step-by-step guidance with frequent practice, this text helps students cultivate an understanding of sight singing. This text presents melodies and exercises that enable  More...

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Book details

List price: $94.00
Edition: 6th
Copyright year: 2004
Publisher: Prentice Hall PTR
Publication date: 12/24/2003
Binding: Paperback
Pages: 400
Size: 6.50" wide x 9.00" long x 1.00" tall
Weight: 1.276
Language: English

For freshman/sophomore-level courses in any Music Theory curriculum. Blending step-by-step guidance with frequent practice, this text helps students cultivate an understanding of sight singing. This text presents melodies and exercises that enable students to develop the skills of reading pitch, reading rhythm, and combining these two essential elements. The Sixth Edition contains nearly 1200 melodies taken from a wide spectrum of music literature and the world's folk music.

Melody: Diatonic Intervals
Rhythm: Division of the Beat
Rhythm: Simple Time (Meter); The Beat and its Division Into Two Parts
Melody: Scale-line Melodies
Rhythm: Simple Time; The Beat and its Division Into Two Parts
Melody: Intervals from the Tonic Triad, Major Keys
Rhythm: Simple Time
Melody: Intervals from the Tonic Triad, Major Keys
Rhythm: Compound Time; The Beat and its Division into Three Parts
Minor Keys; Intervals from the Tonic Triad
Rhythm: Simple and Compound Time
Intervals from the Dominant (V) Triad; Major and Minor Keys
Rhythm: Simple and Compound Time
The C Clefs: Alto and Tenor Clefs
Melody: Further Use of Diatonic Intervals
Rhythm: Simple and Compound Time
Melody: Intervals from the Dominant Seventh Chord V7; Other Diatonic Intervals of the Seventh
Rhythm: Simple and Compound Time
Melody: Diatonic Intervals
Rhythm: Subdivision of the Beat
Rhythm: The Subdivision of the Beat; The Simple Beat into Four Parts; The Compound Beat into Six Parts
Melody: Intervals from the Tonic and Dominant Triads
Rhythm: Subdivision in Simple and Compound Time
Melody: Further Use of Diatonic Intervals
Rhythm: Subdivision in Simple and Compound Time
Melody: Chromaticism
Rhythm: Further Rhythmic Practices
Melody: Chromaticism (I): Chromatic Nonharmonic Tones; Dominant of the Dominant Harmony (V/V); Modulation to the Key of the Dominant
Melody: Chromaticism (II): Modulation to Closely Related Keys; Additional Secondary Dominant Harmonies
Rhythm: Syncopation
Rhythm and Melody: Triplet Division of Undotted Note Values; Duplet Division of Dotted Note Values
Rhythm and Melody: Changing Time Signatures; The Hemiola; Less Common Time Signatures
Rhythm and Melody: Further Subdivision of the Beat; Slow Tempo
Melody: Chromaticism (III): Additional Uses of Chromatic Tones; Remote Modulation
The Medieval Modes and Twentieth-Century Music
Melody: The Medieval Modes
Twentieth Century Music
Appendix: Musical Terms

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