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Preface | |
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The Visual World: Understanding the Art You See | |
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A World of Art | |
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The World as Artists See It | |
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Works in Progress The Creative Process | |
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The World as We Perceive It | |
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The Critical Process Thinking about Making and Seeing | |
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Developing Visual Literacy | |
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Words and Images | |
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Works in Progress Lorna Simpson's The Park | |
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Describing the World | |
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The Critical Process Thinking about Visual Conventions | |
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The Themes of Art | |
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The Representation of the World | |
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The Power of Imagination | |
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The Idea of the Beautiful | |
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Works in Progress Pablo Picasso's Les Demoiselles d'Avignon | |
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The Critical Process Thinking about the Themes of Art | |
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Seeing the Value in Art | |
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Art and Its Reception | |
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Art, Politics, and Public Space | |
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Works in Progress Guillermo Gomez-Pena's Temple of Confessions | |
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The Critical Process Thinking about the Value of Art | |
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The Formal Elements and Their Design: Describing the Art You See | |
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Line | |
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Varieties of Line | |
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Qualities of Line | |
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Works in Progress Vincent van Gogh's The Sower | |
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Works in Progress Hung Liu's Three Fujins | |
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The Critical Process Thinking about Line | |
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Works in Progress J.-A.-D. Ingres's The Turkish Bath | |
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Space | |
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Shape and Mass | |
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Three-Dimensional Space | |
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Two-Dimensional Space | |
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Linear Perspective | |
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Works in Progress Peter Paul Reubens's The Kermis | |
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Some Other Means of Representing Space | |
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Distortions of Space and Foreshortening | |
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Modern Experiments and New Dimensions | |
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The Critical Process Thinking about Space | |
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Light and Color | |
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Light | |
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Works in Progress Mary Cassatt's In the Loge | |
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Color | |
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Works in Progress Chuck Close's Stanley | |
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Works in Progress Sonia Delauney's Electric Prism | |
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The Critical Process Thinking about Light and Color | |
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Other Formal Elements | |
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Texture | |
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Pattern | |
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Time and Motion | |
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Works in Progress Jackson Pollock's No. 29, 1950 | |
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The Critical Process Thinking about the Formal Elements | |
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The Principles of Design | |
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Balance | |
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Emphasis and Focal Point | |
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Works in Progress Diego Velazquez's Las Meninas | |
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Scale and Proportion | |
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Works in Progress Judith F. Baca's Memoria de Nuestra Tierra | |
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Repetition and Rhythm | |
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Unity and Variety | |
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The Critical Process Thinking about the Principles of Design | |
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The Fine Arts Media: Learning How Art Is Made | |
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Drawing | |
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Drawing as an Art | |
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Drawing Materials | |
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Works in Progress Raphael's Alba Madonna | |
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Works in Progress Beverly Buchanan's Shackworks | |
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The Critical Process Thinking about Drawing | |
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Printmaking | |
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Relief Processes | |
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Works in Progress Utamaro's Studio | |
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Intaglio Processes | |
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Works in Progress Albrecht Durer's Adam and Eve | |
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Lithography | |
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Works in Progress June Wayne's Knockout | |
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Silkscreen Printing | |
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Monotypes | |
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The Critical Process Thinking about Printmaking | |
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Painting | |
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Encaustic | |
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Fresco | |
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Works in Progress Michelangelo's Libyan Sybil | |
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Tempera | |
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Oil Painting | |
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Works in Progress Milton Resnick's U + Me | |
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Watercolor | |
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Gouache | |
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Synthetic Media | |
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Computer-Generated Painting | |
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The Critical Process Thinking about Painting | |
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Sculpture | |
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Carving | |
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Works in Progress Jim Sardonis's Reverence | |
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Modeling | |
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Casting | |
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Assemblage | |
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Works in Progress Eva Hesse's Contingent | |
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Earthworks | |
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The Critical Process Thinking about Sculpture | |
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Other Three-Dimensional Media | |
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Craft Media | |
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Works in Progress Peter Voulkos's X-Neck | |
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Mixed Media | |
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Works in Progress Hannah Hoch's Cut with the Kitchen Knife | |
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Works in Progress Goat Island's How Dear to Me the Hour When Daylight Dies | |
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The Critical Process Thinking about Other Three-Dimensional Media | |
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The Camera Arts | |
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Photography | |
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Film | |
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Video | |
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Works in Progress Bill Viol's The Greeting | |
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The Critical Process Thinking about the Camera Arts | |
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The Visual Arts in Everyday Life: Recognizing the Art of Design | |
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Architecture | |
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Topography | |
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Technology | |
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Works in Progress Frank Lloyd Wright's Fallingwater | |
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Community Life | |
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Works in Progress Mierle Laderman Ukeles's Fresh Kills Landfill Project | |
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The Critical Process Thinking about Architecture | |
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Design | |
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Design, Craft, and Fine Art | |
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The Arts and Crafts Movement | |
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Art Nouveau | |
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Art Deco | |
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The Avant-Gardes | |
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The Bauhaus | |
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Streamlining | |
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The Forties and Fifties | |
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Contemporary Design | |
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Works in Progress Fred Wilson's Mining the Museum | |
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The Critical Process Thinking about Design | |
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The Visual Record: Placing the Arts in Historical Context | |
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The Ancient World | |
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The Earliest Art | |
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Sumerian Culture | |
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Egyptian Civilization | |
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Works in Progress Drawing in Ancient Egypt | |
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Aegean Civilizations | |
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Greek Art | |
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Roman Art | |
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Developments in Asia | |
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The Christian Era | |
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Early Christian and Byzantine Art | |
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Christian Art in Northern Europe | |
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Romanesque Art | |
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Gothic Art | |
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Developments in Islam and Asia | |
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The Renaissance Through The Baroque | |
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The Early Renaissance | |
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The High Renaissance | |
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Art in China | |
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Pre-Columbian Art in Mexico | |
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Mannerism | |
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The Baroque | |
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The Eighteenth and Nineteenth Centuries | |
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The Rococo | |
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Neoclassicism | |
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Romanticism | |
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Works in Progress Theodore Gericault's Raft of the Medusa | |
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Realism | |
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Impressionism | |
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Post-Impressionism | |
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The Twentieth Century | |
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Cubism | |
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The Fauves | |
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German Expressionism | |
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Futurism | |
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Dada and Surrealism | |
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Works in Progress Pablo Picasso's Guernica | |
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American Modernism and Abstract Expressionism | |
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Pop Art and Minimalism | |
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Postmodern Directions | |
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Works in Progress Frank Gehry's Guggenheim Museum Bilbao | |
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The Critical Process Thinking about the History of Art | |
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The Critical Process: Thinking Some More about the Chapter Questions | |
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Glossary | |
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Pronunciation Guide | |
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Index | |