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Preface | |
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Foreword | |
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Prelude: Italy and Italian Art | |
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The Role of Antiquity | |
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The Cities | |
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The Guilds and the Status of the Artist | |
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The Artist at Work | |
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The Products of the Painter's Bottega | |
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The Practice of Drawing | |
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The Practice of Painting | |
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Creating a Tempera Painting | |
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Creating a Fresco Painting | |
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Creating an Oil Painting | |
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The Practice of Sculpture | |
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The Practice of Architecture | |
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The Practice of History and of Art History | |
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The Practice of Art History: Giorgio Vasari | |
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The Late Middle Ages | |
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Duecento Art in Tuscany and Rome | |
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Painting in Pisa | |
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Painting in Lucca | |
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Painting in Florence | |
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Painting in Siena | |
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Cimabue | |
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Painting in Rome | |
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Cavallini | |
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Sculpture | |
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Architecture | |
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Florentine Art of the Early Trecento | |
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Giotto | |
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Florentine Painters after Giotto | |
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Sculpture | |
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Sienese Art of the Early Trecento | |
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Duccio | |
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Simone Martini | |
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Pietro Lorenzetti | |
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Ambrogio Lorenzetti | |
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The Master of the Triumph of Death | |
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Orvieto Cathedral, Lorenzo Maitani and Ugolino di Vieri | |
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Later Gothic Art in Tuscany and Northern Italy | |
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Mid-Trecento Painting in Florence | |
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Late Gothic Painting: Agnolo Gaddi and Lorenzo Monaco | |
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Painting and Sculpture in Northern Italy | |
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The Quattrocento | |
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The Beginnings of Renaissance Architecture | |
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The Role of the Medici Family | |
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Filippo Brunelleschi and Linear Perspective | |
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The Dome of Florence Cathedral | |
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The Ospedale degli Innocenti | |
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Brunelleschi's Sacristy for San Lorenzo | |
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San Lorenzo and Santo Spirito | |
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Santa Maria degli Angeli | |
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The Pazzi Chapel | |
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The Medici Palace and Michelozzi di Bartolommeo | |
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Gothic and Renaissance in Tuscan Sculpture | |
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The Competition Panels | |
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Ghiberti to 1425 | |
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Donatello to 1417 | |
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Nanni di Banco | |
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Donatello (c. 1417 to c. 1435) | |
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Jacopo della Quercia | |
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Gothic and Renaissance in Florentine Painting | |
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Gentile da Fabriano | |
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Masolino and Masaccio | |
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The Heritage of Masaccio and the Second Renaissance Style | |
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Fra Angelico | |
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Fra Filippo Lippi | |
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The Second Renaissance Style in Architecture and Sculpture | |
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Alberti | |
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Ghiberti after 1425 | |
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Luca della Robbia (1399 or 1400-82) | |
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Donatello (c. 1433 to c. 1455) | |
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Absolute and Perfect Painting: The Second Renaissance Style | |
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Paolo Uccello | |
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Domenico Veneziano | |
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Andrea del Castagno | |
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A Birth Salver Celebrating Lorenzo de' Medici | |
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Piero della Francesca | |
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Crisis and Crosscurrents | |
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Donatello after 1453 | |
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Desiderio da Settignano | |
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Antonio Rossellino and the Chapel of the Cardinal of Portugal | |
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Benedetto and Giuliano da Maiano | |
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Giuliano da Sangallo | |
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Benozzo Gozzoli | |
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Alesso Baldovinetti | |
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Francesco Pesellino | |
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Science, Poetry, and Prose | |
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Antonio del Pollaiuolo | |
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Andrea del Verrocchio | |
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Renaissance Cassoni | |
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Alessandro Botticelli | |
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Filippino Lippi | |
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Domenico del Ghirlandaio | |
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The Renaissance in Central Italy | |
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Siena | |
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Sassetta | |
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Giovanni di Paolo | |
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Domenico di Bartolo | |
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Matteo di Giovanni | |
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Vecchietta | |
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Francesco di Giorgio | |
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Perugia | |
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Perugino | |
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Pintoricchio | |
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Melozzo da Forli | |
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The Laurana Brothers | |
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Gothic and Renaissance in Venice and Northern Italy | |
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Pisanello | |
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Early Quattrocento Painting in Venice | |
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Jacopo Bellini | |
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Andrea Mantegna | |
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Mantegna and Isabella d'Este | |
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Gentile Bellini | |
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Antonello da Messina | |
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Giovanni Bellini | |
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Vittore Carpaccio | |
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Carlo Crivelli | |
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Late Quattrocento Architecture in Venice | |
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Late Quattrocento Art in Milan | |
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Vincenzo Foppa | |
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Filarete | |
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The Certosa di Pavia | |
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Quattrocento Painting in Ferrara | |
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North Italian Quattrocento Sculpture | |
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The Cinquecento | |
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The High Renaissance in Florence | |
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Leonardo da Vinci | |
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Michelangelo to 1505 | |
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Raphael in Perugia and Florence | |
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Fra Bartolommeo | |
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Luca Signorelli | |
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Piero di Cosimo | |
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The High Renaissance in Rome | |
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Bramante | |
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Michelangelo 1505 to 1516 | |
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Raphael in Rome | |
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High Renaissance and Mannerism | |
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Michelangelo 1516 to 1533 | |
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Andrea del Sarto | |
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Pontormo | |
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Rosso Fiorentino | |
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Perino del Vaga | |
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Domenico Beccafumi | |
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Properzia de' Rossi | |
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Correggio | |
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Parmigianino | |
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Pordenone | |
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Defining Mannerism | |
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Antonio da Sangallo the Elder | |
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Antonio da Sangallo the Younger | |
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Baldassare Peruzzi | |
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Giulio Romano | |
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High and Late Renaissance in Venice and on the Mainland | |
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Giorgione | |
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Titian | |
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Tullio Lombardo | |
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Lorenzo Lotto and Paris Bordone | |
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The Mainland | |
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Bramantino, Dosso Dossi, Savoldo, and Moretto | |
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Sofonisba Anguissola | |
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Tintoretto | |
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Paolo Veronese | |
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Jacopo Bassano | |
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Michele Sanmicheli | |
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Jacopo Sansovino | |
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Andrea Palladio | |
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Alessandro Vittoria | |
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Michelangelo and the Maniera | |
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Michelangelo after 1534 | |
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The Maniera | |
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The Michelangelesque Relief | |
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Benvenuto Cellini | |
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Bartolommeo Ammanati | |
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Giovanni Bologna | |
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Bronzino and Francesco Salviati | |
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Later Majolica | |
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Giorgio Vasari | |
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The Studiolo | |
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Lavinia Fontana of Bologna | |
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Postlude | |
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Giacomo da Vignola | |
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Federico Barocci | |
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Sixtus V | |
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Glossary | |
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Bibliography | |
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Index | |
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Photo Credits | |
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Literary Credits | |