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| Preface | |
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| The American Avant-Garde | |
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| My Painting (1947-1948) | |
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| The Romantics Were Prompted (1947-1948) | |
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| What Abstract Art Means to Me (1951) | |
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| Towards a Newer Laocoon (1940) | |
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| The American Action Painters (1952) | |
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| The New American Painting (1959) | |
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| The Spiritual Problem of Modern Man (1933) | |
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| Art and Materialism in the Beat Generation | |
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| I am for an art ... (1961/1967) | |
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| Happenings in the New York Scene (1961) | |
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| The Artist Speaks (Interview with Dorothy Gees Seckler (1966) | |
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| The New Art (1963) | |
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| Howl (1955-1956) | |
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| Dog (1955) | |
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| Experimental Music (1957) | |
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| Mass Culture, Mass Media, Pop Art | |
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| What Is Pop Art? (Interviews by Gene Swenson) (1963 and 1964) | |
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| The Arts and the Mass Media (1958) | |
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| A Symposium on Pop Art (1963) | |
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| Perspective from the Biltmore Balcony (1960) | |
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| Television: The Timid Giant (1964) | |
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| Objectivity, Reduction, and Formalism | |
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| Excerpts from Painters Painting (1970) | |
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| Specific Objects (1965) | |
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| Paragraphs on Conceptual Art (1967) | |
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| Reflections (1973) | |
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| A B C Art (1965) | |
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| Modernist Painting (1965) | |
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| A Future for the Novel (1965) | |
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| Process and Materials | |
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| Anti Form (1968) | |
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| An Interview with Eva Hesse (by Cindy Nemser) (1970) | |
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| Nauman Interview (by Willoughby Sharp) (1970) | |
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| Verb List (1972) | |
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| Anti-Illusion: Procedures/Materials (1969) | |
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| Music As a Gradual Process (1968) | |
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| Sculpture in the Environment | |
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| Cultural Confinement (1972) | |
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| Sun Tunnels (1977) | |
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| Interview by Barbaralee Diamonstein (1979) | |
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| On the Periphery of Knowing (Interview by Jan Butterfield) (1976) | |
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| Gordon Matta-Clark's Building Dissections (Interview by Donald Wall) (1976) | |
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| Sculpture in the Expanded Field (1979) | |
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| The Primacy of Perception and Its Philosophical Consequences (1964) | |
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| Theory, Politics, and Performance | |
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| Interview with Hans Haacke (by Robert C. Morgan) (1979) | |
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| Excerpts from The Dinner Party: A Symbol of Our Heritage (1979) | |
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| Catalysis: An Interview with Adrian Piper (by Lucy Lippard) (1972) | |
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| Untitled Statements (1975) | |
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| Sexual Politics, Art Style (1971) | |
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| Black Creativity in Quest of an Audience (1970) | |
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| Hans Haacke's Cancelled Show at the Guggenheim (1971) | |
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| I've Been to the Mountaintop (1968) | |
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| Linguistics and Politics (1969) | |
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| The Return of Painting | |
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| Statement (1980) | |
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| Expressionism Today: An Artist Symposium (Interviews by Carter Ratcliff and Hayden Herrera) (1982) | |
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| American Painting: The Eighties (1980) | |
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| The Adversary Culture of Intellectuals (1979) | |
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| Identity and Technology | |
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| Talking Art with Carrie Mae Weems (Interview by bell hooks) (1995) | |
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| Charles Ray: A Telephone Conversation (Interview by Francesco Bonami) (1992) | |
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| A Diary of Fluids and Fears (Interview by Francesco Bonami) (1993) | |
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| Interview with Gary Hill on Tall Ships (Interview by Regina Cornwell) (1997) | |
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| Art at the End of the Optical Age (Interview by Virginia Rutledge) (1998) | |
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| Art of the Living Dead (1992) | |
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| Coming Together in Parts: Positive Power in the Art of the Nineties (1993) | |
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| Video in Situ (1995) | |
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| The Work of Art in the Electronic Age (Interview by La Sept) (1988) | |
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| The Information War (1995) | |
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| Bibliography | |
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| Index | |