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Greek Drama and Theater | |
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Agamemnon | |
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Oedipus Rex | |
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Medea | |
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Lysistrata | |
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Contexts and Commentaries | |
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FromThe Poetics | |
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From“Emotion and Meaning in Greek Tragedy | |
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From“The Guilt of Agamemnon | |
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“The Freedom of Oedipus | |
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From“Medea: Daughter, Sister, Wife and Mother | |
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Natal FamilyversusConjugal Family in Greek and Roman Myths about Women | |
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” Performance Reviews | |
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Agamemnonin Performance | |
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Agamemnonin Performance | |
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Oedipusin Performance | |
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Oedipusin Performance | |
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Medeain Performance | |
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Medeain Performance | |
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Lysistratain Performance | |
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Lysistratain Performance | |
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Medieval Drama and the Theater in England | |
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The Wakefield Master:The Second Shepherd's Play | |
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Everyman | |
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Context and Commentaries | |
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From“Approaches to Medieval Drama | |
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FromThe English Morality Play: Origins, History, and Influence of a Dramatic Tradition” | |
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FromFrom Ritual to Theatre: The Human Seriousness of Play | |
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Performance Reviews | |
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The Wakefield Playsin Performance | |
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Everymanin Performance | |
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Renaissance Drama and Theater in England | |
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Christopher Marlowe | |
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A Midsummer Night's Dream | |
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Hamlet, Prince of Denmark | |
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Volpone | |
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Context and Commentaries | |
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FromAn Apology for Poetry | |
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Epistle to Volpone | |
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FromRadical Tragedy, “Dr. Faustus (c. 1589-92): Subversion Through Transgression | |
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From“The Mythos of Spring: Comedy | |
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From Shakespearean Tragedy” | |
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“Hamlet | |
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From Hamlet and Oedipus” | |
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From“Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism | |
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” Performance Reviews | |
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Doctor Faustusin Performance | |
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A Midsummer Night's Dreamin Performance | |
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Hamletin Performance | |
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Volponein Performance | |
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French Neoclassical and English Restoration Drama and Theater | |
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The Misanthrope | |
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Phaedra | |
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The Way of the World | |
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Context and Commentaries | |
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FromConcerning Humor in Comedy | |
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FromLiterature Considered in Relation to Social Institutions | |
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FromLaughter | |
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FromOn Racine | |
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Performance Reviews | |
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The Misanthropein Performance | |
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Phaedrain Performance | |
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The Way of t | |