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| Preface | |
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| The Visual World: Understanding the Art You See | |
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| A World of Art | |
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| The World as Artists See It | |
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| Works in Progress The Creative Process | |
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| The World as We Perceive It | |
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| The Critical Process Thinking about Making and Seeing | |
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| Developing Visual Literacy | |
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| Words and Images | |
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| Works in Progress Lorna Simpson's The Park | |
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| Describing the World | |
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| The Critical Process Thinking about Visual Conventions | |
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| The Themes of Art | |
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| The Representation of the World | |
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| The Power of Imagination | |
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| The Idea of the Beautiful | |
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| Works in Progress Pablo Picasso's Les Demoiselles d'Avignon | |
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| The Critical Process Thinking about the Themes of Art | |
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| Seeing the Value in Art | |
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| Art and Its Reception | |
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| Art, Politics, and Public Space | |
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| Works in Progress Guillermo Gomez-Pena's Temple of Confessions | |
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| The Critical Process Thinking about the Value of Art | |
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| The Formal Elements and Their Design: Describing the Art You See | |
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| Line | |
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| Varieties of Line | |
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| Qualities of Line | |
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| Works in Progress Vincent van Gogh's The Sower | |
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| Works in Progress Hung Liu's Three Fujins | |
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| The Critical Process Thinking about Line | |
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| Works in Progress J.-A.-D. Ingres's The Turkish Bath | |
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| Space | |
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| Shape and Mass | |
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| Three-Dimensional Space | |
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| Two-Dimensional Space | |
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| Linear Perspective | |
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| Works in Progress Peter Paul Reubens's The Kermis | |
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| Some Other Means of Representing Space | |
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| Distortions of Space and Foreshortening | |
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| Modern Experiments and New Dimensions | |
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| The Critical Process Thinking about Space | |
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| Light and Color | |
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| Light | |
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| Works in Progress Mary Cassatt's In the Loge | |
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| Color | |
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| Works in Progress Chuck Close's Stanley | |
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| Works in Progress Sonia Delauney's Electric Prism | |
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| The Critical Process Thinking about Light and Color | |
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| Other Formal Elements | |
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| Texture | |
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| Pattern | |
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| Time and Motion | |
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| Works in Progress Jackson Pollock's No. 29, 1950 | |
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| The Critical Process Thinking about the Formal Elements | |
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| The Principles of Design | |
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| Balance | |
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| Emphasis and Focal Point | |
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| Works in Progress Diego Velazquez's Las Meninas | |
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| Scale and Proportion | |
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| Works in Progress Judith F. Baca's Memoria de Nuestra Tierra | |
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| Repetition and Rhythm | |
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| Unity and Variety | |
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| The Critical Process Thinking about the Principles of Design | |
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| The Fine Arts Media: Learning How Art Is Made | |
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| Drawing | |
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| Drawing as an Art | |
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| Drawing Materials | |
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| Works in Progress Raphael's Alba Madonna | |
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| Works in Progress Beverly Buchanan's Shackworks | |
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| The Critical Process Thinking about Drawing | |
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| Printmaking | |
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| Relief Processes | |
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| Works in Progress Utamaro's Studio | |
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| Intaglio Processes | |
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| Works in Progress Albrecht Durer's Adam and Eve | |
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| Lithography | |
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| Works in Progress June Wayne's Knockout | |
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| Silkscreen Printing | |
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| Monotypes | |
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| The Critical Process Thinking about Printmaking | |
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| Painting | |
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| Encaustic | |
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| Fresco | |
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| Works in Progress Michelangelo's Libyan Sybil | |
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| Tempera | |
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| Oil Painting | |
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| Works in Progress Milton Resnick's U + Me | |
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| Watercolor | |
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| Gouache | |
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| Synthetic Media | |
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| Computer-Generated Painting | |
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| The Critical Process Thinking about Painting | |
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| Sculpture | |
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| Carving | |
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| Works in Progress Jim Sardonis's Reverence | |
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| Modeling | |
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| Casting | |
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| Assemblage | |
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| Works in Progress Eva Hesse's Contingent | |
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| Earthworks | |
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| The Critical Process Thinking about Sculpture | |
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| Other Three-Dimensional Media | |
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| Craft Media | |
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| Works in Progress Peter Voulkos's X-Neck | |
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| Mixed Media | |
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| Works in Progress Hannah Hoch's Cut with the Kitchen Knife | |
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| Works in Progress Goat Island's How Dear to Me the Hour When Daylight Dies | |
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| The Critical Process Thinking about Other Three-Dimensional Media | |
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| The Camera Arts | |
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| Photography | |
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| Film | |
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| Video | |
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| Works in Progress Bill Viol's The Greeting | |
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| The Critical Process Thinking about the Camera Arts | |
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| The Visual Arts in Everyday Life: Recognizing the Art of Design | |
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| Architecture | |
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| Topography | |
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| Technology | |
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| Works in Progress Frank Lloyd Wright's Fallingwater | |
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| Community Life | |
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| Works in Progress Mierle Laderman Ukeles's Fresh Kills Landfill Project | |
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| The Critical Process Thinking about Architecture | |
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| Design | |
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| Design, Craft, and Fine Art | |
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| The Arts and Crafts Movement | |
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| Art Nouveau | |
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| Art Deco | |
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| The Avant-Gardes | |
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| The Bauhaus | |
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| Streamlining | |
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| The Forties and Fifties | |
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| Contemporary Design | |
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| Works in Progress Fred Wilson's Mining the Museum | |
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| The Critical Process Thinking about Design | |
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| The Visual Record: Placing the Arts in Historical Context | |
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| The Ancient World | |
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| The Earliest Art | |
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| Sumerian Culture | |
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| Egyptian Civilization | |
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| Works in Progress Drawing in Ancient Egypt | |
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| Aegean Civilizations | |
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| Greek Art | |
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| Roman Art | |
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| Developments in Asia | |
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| The Christian Era | |
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| Early Christian and Byzantine Art | |
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| Christian Art in Northern Europe | |
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| Romanesque Art | |
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| Gothic Art | |
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| Developments in Islam and Asia | |
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| The Renaissance Through The Baroque | |
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| The Early Renaissance | |
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| The High Renaissance | |
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| Art in China | |
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| Pre-Columbian Art in Mexico | |
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| Mannerism | |
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| The Baroque | |
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| The Eighteenth and Nineteenth Centuries | |
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| The Rococo | |
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| Neoclassicism | |
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| Romanticism | |
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| Works in Progress Theodore Gericault's Raft of the Medusa | |
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| Realism | |
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| Impressionism | |
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| Post-Impressionism | |
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| The Twentieth Century | |
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| Cubism | |
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| The Fauves | |
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| German Expressionism | |
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| Futurism | |
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| Dada and Surrealism | |
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| Works in Progress Pablo Picasso's Guernica | |
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| American Modernism and Abstract Expressionism | |
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| Pop Art and Minimalism | |
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| Postmodern Directions | |
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| Works in Progress Frank Gehry's Guggenheim Museum Bilbao | |
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| The Critical Process Thinking about the History of Art | |
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| The Critical Process: Thinking Some More about the Chapter Questions | |
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| Glossary | |
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| Pronunciation Guide | |
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| Index | |