Skip to content

Art and Science of Digital Compositing Techniques for Visual Effects, Animation and Motion Graphics

Best in textbook rentals since 2012!

ISBN-10: 0123706386

ISBN-13: 9780123706386

Edition: 2nd 2008

Authors: Ron Brinkmann

List price: $72.95
Shipping box This item qualifies for FREE shipping.
Blue ribbon 30 day, 100% satisfaction guarantee!
what's this?
Rush Rewards U
Members Receive:
Carrot Coin icon
XP icon
You have reached 400 XP and carrot coins. That is the daily max!

Description:

Computer graphics special effects are widely used in film, television, and computer games. Compositing is a key part of the special effects pipeline-it is the final, crucial step where all the component parts of a rendering are joined together into a single, integrated image. These components may include 3D and 2D images that have been created with the wide variety of modeling, animation, and rendering tools available today. Ron Brinkmann's The Art and Science of Digital Compositing provides a complete guide to the technical and artistic elements of this process and is the leading book in the field. Now revised in a second edition, Brinkmann uses his extensive experience in the visual…    
Customers also bought

Book details

List price: $72.95
Edition: 2nd
Copyright year: 2008
Publisher: Elsevier Science & Technology
Publication date: 5/24/2008
Binding: Paperback
Pages: 704
Size: 7.50" wide x 9.21" long x 1.50" tall
Weight: 3.960
Language: English

Ron M. Brinkmann has been working in the field of Computer Graphics for over a decade, involved with both hardware and software design, development and use. His primary field of expertise is in visual effects for feature films, and his personal feature-film credits include: Contact, The Ghost and the Darkness, James and the Giant Peach, Die Hard with a Vengeance, Speed, Hideaway, Tall Tale, Last Action Hero, and In the Line of Fire. He has had articles published in a number of magazines, and has lectured on the topics of digital compositing and visual effects in the U.S., Europe, Australia and China.

Acknowledgments
Preface
Introduction to Digital Compositing
Learning to See
The Digital Representation of Visual Information
Basic Image Manipulation
Basic Image Compositing
Matte Creation and Manipulation
Time and Temporal Manipulations
Image tracking and Stabilization
Interface Interactions
Formats: Media, Resolution, and Aspect Ratios
Quality and Efficiency
Creating Elements
Additional Integration Techniques
Advanced and Related Topics
Case Studies
Digital Compositing Software: Tools and Features
Digital Image File Formats
Common Film and Video Formats
Bibliography
Glossary
Index