Aproximaciones Al Estudio de la Literatura Hisp�nica

ISBN-10: 0073385379
ISBN-13: 9780073385372
Edition: 7th 2012
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Description: Aproximacionesis an essential program in developing an adequate appreciation of Spanish and Spanish-American literature. It provides native and non-native speakers with the opportunity to grasp the various levels of meaning of each reading.  More...

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Book details

List price: $104.99
Edition: 7th
Copyright year: 2012
Publisher: McGraw-Hill Education
Publication date: 10/1/2011
Binding: Paperback
Pages: 464
Size: 7.50" wide x 9.25" long x 0.75" tall
Weight: 1.496

Aproximacionesis an essential program in developing an adequate appreciation of Spanish and Spanish-American literature. It provides native and non-native speakers with the opportunity to grasp the various levels of meaning of each reading. Additionally, it helps students to acquire the technical vocabulary to describe and debate literary issues appropriately. The text devotes a unit to each of the literary genres: narrativa, poesía, drama, and ensayo. All readings are followed by three sets of practical activities.

Carmelo Virgillo (Ph.D , Indiana University, Bloomington) is Professor Emeritus of Romance Languages at Arizona State University, Tempe, where he taught Spanish, Portuguese, and Italian at the undergraduate and graduate levels from 1965 to 1993. In addition to serving as coordinator of Portuguese and Hispanic literature, he directed Arizona State University's programs in Florence and Siena, Italy (1982 and 1990). He was also book review editor of the Latin American Digest. His publications include Correspond�ncia de Machado de Assis com Magalh�es de Azeredo (Rio de Janeiro, Brazil: Instituto Nacional do Livro Minist�rio da Educa��o y Cultura, 1969), Woman as Myth and Metaphor in Latin American Literature with Naomi E. Lindstrom (Columbus University of Missouri Press, 1985), and Blbliograf�a anal�tico-descritiva de Henriqueta Lisboa (Rio de Janeiro: Jos� Olympia Editora, 1992). He also authored and co-authored numerous articles and essays on nineteenth- and twentieth-century Spanish, Spanish-American, and Brazilian literature. In addition, he was a contributor to the Suplemento liter�rio do Minas Gerais (Belo Horizonte, MG, Brazil). The recipient of several nominations for excellence in teaching, he has been cited by the Italian Ministry of Education for his career-long development of and contributions to the promotion of Italian studies in the United States. He is currently researching a new book on Hispanic civilization.

Edward H. Friedman (Ph.D., Johns Hopkins University) is Chancellor’s Professor of Spanish and Professor of Comparative Literature at Vanderbilt University. His primary field of research is early modern Spanish literature, with special emphasis on picaresque narrative, the writings of Cervantes, and the Comedia. He also has worked widely in contemporary narrative and drama. His books include Cervantes in the Middle: Realism and Reality in the Spanish Novel (2006), The Unifying Concept: Approaches to the Structure of Cervantes Comedias, The Antiheroine’s Voice: Narrative Discourse and Transformations of the Picaresque, Wit’s End: An Adaptation of Lope de Vega’s La dama boba (performed by Vanderbilt University Theatre as part of its 2006-2007 season). He has received grants from the National Endowment for the Humanities, the Fulbright Scholar Program, and the National Humanities Center. He is editor of the Bulletin of the Comediantes and has served as president of the Cervantes Society of America. Nominated by Brigham Young University, he was selected for the Sigma Delta Pi "Orden de Don Quijote" Award in 2005. The recipient of teaching awards at Arizona State University and Indiana University, he was presented the Jeffrey Nordhaus Award for Excellence in Undergraduate Teaching at Vanderbilt in 2006.

L. Teresa Valdivieso (Ph.D. 1975) is Professor Emerita of Spanish at Arizona State University. In her many years at Arizona State, she has been Director of Graduate Studies, Coordinator of the Spanish Section, Director of the Center for Latin American Studies, Chair of the Arizona State University Education Abroad Committee, organizer and chair of the Undergraduate Committee, member of the Dean’s Faculty Advisory Council, and of the Language Articulation Task Force. She also was Visiting Professor at Middlebury College, Lecturer at the Universidad Aut�noma de Guadalajara (Mexico) and the Universitat de Barcelona (Spain). She is the author of Espa�a: Bibliograf�a de un teatro silenciado, Negocios y comunicaciones, and co-author of Studia Hispanica Medievalia, La mujer hispana en el mundo: sus triunfos y sus retos, Voces y textos literarios del Ecuador, and most recently Presencia de la mujer hispana (2004), and Madrid en la literatura y las artes (2006). She is a founding-member and past president of the Asociaci�n de Literatura Femenina Hisp�nica, vice-president of the Asociaci�n Hisp�nica de Humanidades, senior bibliographer of the Modern Language Association, and recently elected vice-president of Spanish Professionals in America. She continues to teach at Arizona State University. In 1980 she was the recipient of the Dean’s Award for excellence in teaching; in 2002 she received the Outstanding Faculty Committee to Teaching and Learning Award, and in 2007 has been awarded the title of Honors Disciplinary Faculty.

Preface
Introduccion
La literatura como arte y fenmeno esttico
El autor y su obra frente al pblico: Implicaciones socioculturales
La Narrativa
Introduccin a la narrativa
Prctica
Panorama histrico y categoras fundamentales
Prctica
El cuento: Gua general para el lector
La novela: Gua para el lector de San Manuel Bueno, mrtir
Lecturas
"Lo que sucedi a un mozo que cas con una muchacha de muy mal carcter"
"La camisa de Margarita"
"Las medias rojas"
"Blanca Nieves y Compaa"
"El etngrafo"
"La noche boca arriba"
"No oyes ladrar los perros"
"El hombre que aprendi a ladrar""El Otro Yo"
"El paraso imperfecto""La rana que quera ser Rana autntica""El mono que quiso ser escritor satrico"
"Pecado de omisin"
"La mujer que llegaba a las seis"
"La mujer del juez"
"Historias sencillas"
San Manuel Bueno, mrtir
La Poesa
Introduccin a la poesa
Prctica
El lenguaje literario
Prctica
Panorama histrico y categoras fundamentales
Prctica
La poesa: Gua general para el lector
Lecturas
"El Enamorado y la Muerte""Romance del conde Arnaldos"
"Soneto IV""Soneto XXIII"
"Vivo sin vivir en m""Nada te turbe"
"Llama de amor viva""Noche oscura"
"Soneto LXXXVI""Soneto CLXVI"
Rimas sacras: "XVIII""CXCI"
"Amante agradecido a las lisonjas mentirosas de un sueo" Represntase la brevedad de lo que se vive y cun nada parece lo que se vivi
"A su retrato""A una rosa"
"Cancin del pirata""Soneto"
"Al partir""A l"
"Rima XI""Rima LIII"
"Si ves un monte de espumas""Dos patrias"
"Los maderos de San Juan""Nocturno III"
"El cisne""Cancin de otoo en primavera"
"La pregunta""Si T me dices "Ven!""
Proverbios y cantares: "XXIX""La saeta"
"Yo no soy yo""Vino, primero, pura"
"Meciendo""Yo no tengo soledad"
"Yuntas""El momento ms grave de la vida"
"Arte potica""La capilla aldeana"
"La higuera""Rebelde"
"Cancin de jinete""Prendimiento de Antoito el Camborio en el camino de Sevilla"
"Danza negra""El gallo"
"Sensemay
"La infinita""Oda al tomate"
"El sediento""Cifra"
"Sale caro ser poeta""Mis mejores poemas"
"Cumpleaos de amor""Ciudad cero"
"Epigramas"
"Letana""Trinos"
"Renacimiento""Mujer Negra"
El Drama
Introduccin al drama
Prctica
Panorama histrico y categoras fundamentales
Prctica
El drama: Gua general para el lector
Lecturas
El juez de los divorcios
El censo
El delantal blanco
Historia del hombre que se convirti en perro
Resguardo personal
La casa de Bernarda Alba
El Ensayo
Introduccin al ensayo
Prctica
Panorama histrico y categoras fundamentales
Prctica
El ensayo: Gua general para el lector
Lecturas
"Vuelva usted maana"
"Notas sobre el vasallaje"
"Los obreros y yo"
"Y las madres, qu opinan?"
"La autenticidad de la mujer en el arte"
El ensayo crtico
Clasificacin de los versos segn el nmero de slabas
Trminos literarios y paraliterarios relacionados con el texto

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