Experience Music!

Name: Experience Music!
Price: 3.06 USD
Availability: InStock
ISBN: 9780073025797

ISBN-10: 0073025798

ISBN-13: 9780073025797

Edition: 2007

Authors: Katherine Charlton, Robert Hickok

List price: $78.75

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Book details

List price: $78.75
Copyright year: 2007
Publisher: McGraw-Hill Higher Education
Binding: Mixed Media
Pages: 384
Size: 7.75" wide x 9.75" long x 0.50" tall
Weight: 1.848
Language: English

Katherine Charlton Calkins is chair of the music department at Mt. San Antonio College in Walnut, California, where she has taught full-time since 1974. During a sabbatical in 1990, she taught music history at the American Institute for Foreign Study at the University of London. She holds degrees in classical guitar performance and music history and she has performed on medieval gittern, Renaissance lute, and baroque guitar with her late first husband, Andrew Charlton, who was well known in the field of early music. In addition to performing early music, she has played percussion in the California University at Fullerton Wind Ensemble and toured Japan with the group.



Prelude: The Fundamentals of Music



Elements Of Music: Sound, Rhythm, Melody, And Harmony


Sound Rhythm Melody Harmony



Elements That Structure Music; Key, Texture, And Form


Key Texture Form



Musical Instruments And Ensembles


Voices and Vocal Ensembles Stringed Instruments Plucked


Stringed Instruments Bowed


Stringed Instruments Woodwinds Brasses


Percussion Instruments


Keyboard Instruments


Electronic Instruments


Instruments in Non-Western


Cultures Instrumental Ensembles Chamber Ensembles


The Orchestra


The Wind Ensemble


The Conductor Prelude: The Culture of the Medieval Period



Medieval Music


Medieval Sacred Music Gregorian Chant Listening Guide:“Salve Regina” (“Hail, Holy Queen”)


Hildegard of Bingen Listening Guide:“Ave Generosa” (“Hail, Noble One”), by Hildegard of Bingen


The Mass Polyphony and Measure Rhythm Guillaume de Machaut Listening Guide:“Agnus Dei” (“Lamb of God”) from


Messe de Nostre Dame (Mass of Our Lady), by Guillaume de Machaut Hearing the Difference:“Salve Regina” and Machaut’s “Angus Dei&#8221


Medieval Secular Music Improvised Accompaniment to Monophonic Songs Beatriz of Dia Listening Guide:“A Chantar” (“It Is Mine to Sing”), by Beatriz of Dia Hearing the Difference:“Salve


Regina” and Dia’s “A Chantar&#8221


The Motet Prelude: The Renaissance: The Rebirth of Humanism



Renaissance Music


Renaissance Sacred Music Josquin des Prez Listening Guide:“Ave Maria” (“Hail, Mary)



Prez Giovanni Pierluigi da Palestrina Listening Guide:“Kyrie” (“Lord”) fromMissa Papae


Marcelli (thePope Marcellus Mass)



da Palestrina Renaissance Secular Music The Madrigal in Italy


The Madrigal in England


The Live Experience:Madrigal Singing in Homes Listening Guide:“Fair Phyllis,”



The Chanson in France The Lied in Germany Renaissance Instrumental Music Hearing the Difference:Josquin’s “Ave Maria” and Farmer’s “Fair


Phyllis” Listening Guide:“Ballet de Baccanales” (“Festive Dance”) fromTerpsichore



The Live Experience:Renaissance Dance Prelude: The Triumph of the Baroque Style



Baroque Opera


The Birth of Opera Baroque Vocal Styles Claudio Monteverdi


The Live Experience:Opera Singers of the Baroque Listening Guide:Excerpt from Act II ofOrfeo



Opera Outside of Italy Listening Guide:“When I am laid in earth” fromDido and Aeneas



Hearing the Difference:Dia’s “A Chantar” and Purcell’s &#8220


When I am laid in earth&#8221



Cantata


The Secular Cantata The Chorale


The Sacred Cantata


The Live Experience:Basso Continuo Players Listening Guide:Cantata no. 132: Bereitet die Wege


bereitet die Bahn! (“Make ready the ways, make ready the path!”)



The Passion Johann Sebastian Bach



Oratorio


Oratorio George Frideric Handel Messiah Listening Guide:Overture fromMessiah



Listening Guide:“Comfort ye,” an accompanied recitative fromMessiah



Listening Guide: “Ev’ry valley,” an aria fromMessiah



Listening Guide:“Hallelujah” fromMessiah




Baroque Solo And Chamber Music


Keyboard Music Fugue Listening Guide:&#8220


The Little Fugue in G Minor,”



The Live Experience:Playing the Organ Elizabeth-Claude



Guerre Listening Guide:“Sarabande” from Suite No. 1 fromPieces for Harpsichord



Jacquet de la Guerre Baroque Sonata



The Baroque Concerto


Concerto The Live Experience:Playing Solos in Baroque Music Concerto Grosso


Listening Guide:Brandenburg Concerto no. 5, first movement



Solo Concerto Listening Guide:“Spring,” first movement fromLe Quattro Stagione (The Four Seasons)



Prelude The Classical Era: Reason and Revolution



The Classical Symphony


The Form of the Classical Sonata Exposition Development Recapitulation


The Classical Orchestra


The Live Experience:The Duties of the Conductor


Listening Guide:Symphony no. 40 in G Minor, first movement



Listening Guide:Symphony no. 40 in G Minor, third movement




The Classical Concerto


The Live Experience:Concert Soloists Double-Exposition Sonata Form


Listening Guide:Piano Concerto no. 23 in A Major, first movement




Classical Chamber Music


Chamber Sonatas


The Live Experience:The Performance of Chamber Music Franz



Listening Guide:String Quartet op. 33, no. 3 (“The Bird”), fourth movement



Hearing the Difference:Mozart’s Symphony no. 40, first movement, and Haydn’s String Quartet op. 33, no. 3, fourth movement



Classical Vocal Music


Haydn’s Vocal Music Classical Opera


The Marriage of Figaro


The Characters


The Plot Listening Guide:“Non piï¿½ andrai” (“No more will you”) from


Le Nozze di Figaro (The Marriage of Figaro)



Mozart Listening Guide:“Crudel! Perchï¿½ finora” (“Cruel one, why until now?”) Hearing the Difference:Purcell’s &#8220


When I am laid in earth” and Mozart’s “Non piï¿½ andrai” (“No more with you”)



The Music Of Beethoven


Ludwig van Beethoven Listening Guide:Symphony no. 5 in C minor, first movement



Listening Guide:Symphony no. 5, second movement



The Classical Piano Listening Guide:Piano Sonata, Op. 57 (Appassionata), first movement



Prelude: Music of the Romantic Era



Romantic Songs


The Salon Art Song Franz Schubert


Listening Guide:“Erikï¿½nig” (“King of the Elves”)



the Difference:Mozart’s “Non piï¿½ andrai” and Schubert’s “Erikï¿½nig” Robert



Listening Guide:“Im wunderschï¿½nen Monat Mai” (“In the wonderfully lovely month of May”) fromDichterliebe (A Poet’s Love)




Romantic Piano Music


Chopin and Liszt Listening Guide: &amp