| |
| |
| |
| Film Production, Distribution, and Exhibition | |
| |
| |
| |
| Film Production, Distribution, and Exhibition Mechanics of the Movies Bringing the Film to the Spectator Independent Production and Mainstream Hollywood: The Case of Good Machine Making the Movie: Film Production Modes of Production Notes and Queries | |
| |
| |
| |
| Film Form | |
| |
| |
| |
| The Significance of Film Form The Concept of Form in Film Principles of Film Form Summary Notes and Queries | |
| |
| |
| |
| Narrative as a Formal System Principles of Narrative Construction Playing Games with Story Time Narration: The Flow of Story Information The Classical Hollywood Cinema Narrative Form in Citizen Kane Summary Notes and Queries | |
| |
| |
| |
| Types of Films | |
| |
| |
| |
| Film Genres Understanding Genre Three Genres A Contemporary Genre: The Crime Thriller Summary Notes and Queries | |
| |
| |
| |
| Documentary, Experimental, and Animated Films Documentary Experimental Film The Animated Film Summary Notes and Queries | |
| |
| |
| |
| Film Style | |
| |
| |
| |
| The Shot: Mise-en-Scene What is Mise-en-Scene Realism The Film Actor's Tool Kit The Power of Mise-en-Scene Aspects of Mise-en-Scene Putting It All Together: Mise-en-Scene in Space and Time Narrative Function of Mise-en-Scene: Our Hospitality Summary Notes and Queries | |
| |
| |
| |
| The Shot: Cinematography The Photographic Image From Monsters to the Mundane: Computer-generated Imagery in The Lord of the Rings Framing Duration of the Image: The Long Take Summary Notes and Queries | |
| |
| |
| |
| The Relation of Shot to Shot: Editing What Editing Is Dimensions of Film Editing Continuity Editing Intensified Continuity: L.A. Confidential and Contemporary Editing Alternatives to Continuity Editing Notes and Queries | |
| |
| |
| |
| Sound in the Cinema The Powers of Sound Rhythm on Two Tracks: A Dance of Death in The Last of the Mohicans Fundamentals of Film Sound Dimensions of Film Sound Functions of Film Sound: A Man Escaped Summary Notes and Queries | |
| |
| |
| |
| Style as a Formal System The Concept of Style Analyzing Film Style Style in Citizen Kane Style in Gap-Toothed Women Style in The River Style in Ballet Mecanique Style in A Movie Notes and Queries | |
| |
| |
| |
| Critical Analysis of Films | |
| |
| |
| |
| Film Criticism: Sample Analyses The Classical Narrative Cinema Narrative Alternatives to Classical Filmaking Documentary Form and Style Form, Style, and Ideology Notes and Queries | |
| |
| |
| |
| Film History | |
| |
| |
| |
| Film Form and Film History Early Cinema (1893-1903) | |
| |
| |
| The Development of the Classical Hollywood Cinema (1908-1927) | |
| |
| |
| German Expressionism (1919-1926) | |
| |
| |
| French Impressionism and Surrealism (1918-1930) | |
| |
| |
| Soviet Montage (1924-1930) | |
| |
| |
| The Classical Hollywood Cinema after the Coming of Sound Italian Neorealism (1942-1951) | |
| |
| |
| The French New Wave (1959-1964) | |
| |
| |
| The New Hollywood and Independent Filmmaking Contemporary Hong Kong Cinema | |
| |
| |
| Bibliography for Chapter Twelve | |
| |
| |
| Glossary Internet Resources: Selected Reference Sites in Film from the World Wide Web | |
| |
| |
| Credits | |
| |
| |
| Index | |