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| Preface | |
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| Introduction | |
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| Two-Dimensional Design | |
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| Basic Elements | |
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| Line Shape Texture Value Profile: Phillia Yi, Printmaker | |
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| The Element Of Color | |
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| Color Theory Color Physics | |
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| Color Interaction Defining Color | |
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| Color Schemes Composing with Color | |
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| Color, Emotion, and Expression Profile: Ann Baddley Keister, Fiber Artist | |
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| Principles Of Two-Dimensional Design | |
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| Unity and Variety Balance | |
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| Scale and Proportion Rhythm | |
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| Emphasis Creating the Illusion of Space Dynamic Space: Constructing | |
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| Mulan The Illusion of Movement Determining | |
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| Priorities Profile: Ken Stout, Painter | |
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| Concepts And Critical Thinking | |
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| Cultivating Creativity | |
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| Design and Creativity Seven Characteristics of Creative | |
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| Thinking Goal Setting Time Management | |
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| Profile: Nancy Callahan, Artist, and Diane Gallo, Writer | |
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| Problem Seeking And Problem Solving | |
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| Problem Seeking Convergent and Divergent | |
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| Thinking Brainstorming Visual Research | |
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| Variations on a Theme An Open Mind | |
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| Profile: Heidi Lasher-Oakes, Sculptor | |
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| Developing Critical Thinking | |
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| Establishing Criteria Form, Subject, and Contents Stop, Look, Listen, Learn | |
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| Types of Critiques Developing a Long-Term Project | |
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| Turn Up the Heat: Pushing Your Project's Potential | |
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| Concept and Composition Accepting Responsibility | |
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| Profile: Bob Dacey, Illustrator | |
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| Constructing Meaning | |
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| Building Bridges Purpose and Intent Context | |
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| Connections Drama Aesthetics and Anesthetics | |
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| Profile: Ken Botnick, Graphic Designer | |
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| Three-Dimensional Design | |
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| Elements Of Three-Dimensional Design | |
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| Defining Form Form and Function | |
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| Orthographic Projection | |
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| Degrees of Dimensionality Line | |
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| Plane Volume Mass Space Texture Light Color | |
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| Time The complexity of Three-Dimensional Design | |
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| Profile: Rodger Mack, Sculptor | |
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| Principles Of Three-Dimensional Design | |
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| Unity and Variety Balance Scale Proportion | |
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| Emphasis Repetition and Rhythm | |
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| Profile: David MacDonald, Ceramicist | |
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| Materials And Methods | |
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| Choice of Materials Connections Transitions | |
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| Traditional Materials, Contemporary | |
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| Uses Student Materials | |
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| Materials and Meanings | |
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| Profile: Todd Slaughter, Sculptor | |
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| Physical And Cerebral | |
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| Constructed Thought Physical forces Cerebral | |
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| Qualities of Sculptural Objects | |
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| Contemporary Questions, Contemporary | |
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| Answers Expressing Ideas in Physical | |
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| Form Profile: Rick Paul, Sculptor | |
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| Time Design | |
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| Aspects Of Elements Of Time | |
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| Building Blocks Duration Tempo | |
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| Intensity Scope Setting | |
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| Chronology Schindler's | |
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| List: Content and Composition | |
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| Profile: Sharon Greytak, Filmmaker | |
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| Narrative And Non-Narrative | |
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| Tell Me a Story Working with Multiple Images | |
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| Establishing Boundaries | |
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| Causality Story and Style in Citizen | |
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| Kane The 15-second | |