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| Preface | |
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| dAnonymous | |
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| Western Wind | |
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| Sir Patrick Spence | |
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| The Nymph's Reply | |
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| Since There's No Help | |
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| The Passionate Shepherd to His Love | |
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| Sonnet 18 [Shall I compare thee to a summer's day?] | |
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| Sonnet 29 [When, in disgrace with fortune and men's eyes] | |
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| Sonnet 73 [That time of year thou mayst in me behold] | |
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| Sonnet 130 [My mistress' eyes are nothing like the sun] | |
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| There Is a Garden in Her Face | |
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| Death Be Not Proud | |
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| A Valediction: Forbidding Mourning | |
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| Song | |
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| On My First Son | |
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| To Celia | |
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| To the Virgins, to Make Much of Time | |
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| Easter Wings | |
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| When I Consider How My Light Is Spent | |
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| The Author to Her Book | |
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| To My Dear and Loving Husband | |
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| To Lucasta, on Going to the Wars | |
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| To His Coy Mistress | |
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| A Description of the Morning | |
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| From An Essay on Criticism | |
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| Epigram | |
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| To the University of Cambridge, in New-England | |
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| The Tyger | |
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| The Sick Rose | |
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| London | |
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| Lines Composed a Few Miles above Tintern Abbey | |
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| Composed upon Westminster Bridge | |
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| The World Is Too Much with Us | |
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| Kubla Khan | |
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| When We Two Parted | |
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| She Walks in Beauty | |
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| Ozymandias | |
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| Ode to the West Wind | |
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| When I Have Fears That I May Cease to Be | |
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| To Autumn | |
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| Ode on a Grecian Urn | |
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| How Do I Love Thee? Let Me Count the Ways | |
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| To Helen | |
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| The Raven | |
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| Ulysses | |
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| Tears, Idle Tears | |
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| My Last Duchess | |
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| Song of Myself, 6 | |
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| When I Heard the Learn'd Astronomer | |
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| Cavalry Crossing a Ford | |
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| A Noiseless Patient Spider | |
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| Dover Beach | |
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| Uphill | |
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| Wild Nights--Wild Nights! | |
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| The Soul Selects Her Own Society | |
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| I Heard a Fly Buzz--When I Died | |
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| After Great Pain, a Formal Feeling Comes | |
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| Neutral Tones | |
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| The Man He Killed | |
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| God's Grandeur | |
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| Pied Beauty | |
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| To an Athlete Dying Young | |
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| Loveliest of Trees, the Cherry Now | |
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| The Lake Isle of Innisfree | |
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| When You Are Old | |
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| The Second Coming | |
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| Sailing to Byzantium | |
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| Richard Cory | |
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| Mr. Flood's Party | |
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| We Wear the Mask | |
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| Mending Wall | |
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| After Apple-Picking | |
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| Birches | |
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| Stopping by Woods on a Snowy Evening | |
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| Patterns | |
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| Fog | |
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| A Fence | |
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| Thirteen Ways of Looking at a Blackbird | |
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| The Snow Man | |
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| The Emperor of Ice-Cream | |
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| To Waken an Old Lady | |
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| The Red Wheelbarrow | |
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| This Is Just to Say | |
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| Wild Peaches | |
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| The River-Merchant's Wife: A Letter | |
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| In a Station of the Metro | |
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| Heat | |
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| Poetry | |
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| A Grave | |
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| The Love Song of J. Alfred Prufrock | |
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| Preludes | |
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| Bells for John Whiteside's Daughter | |
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| America | |
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| First Fig | |
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| What Lips My Lips Have Kissed, and Where, and Why | |
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| Ars Poetica | |
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| Dulce et Decorum Est | |
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| Resume | |
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| Buffalo Bill's | |
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| in Just- | |
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| anyone lived in a pretty how town | |
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| Song of the Son | |
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| Reapers | |
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| The Negro Speaks of Rivers | |
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| Mother to Son | |
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| Harlem | |
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| Incident | |
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| Musee des Beaux Arts | |
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| My Papa's Waltz | |
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| The Fish | |
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| Sestina | |
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| Those Winter Sundays | |
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| Love Poem | |
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| Traveling through the Dark | |
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| Fern Hill | |
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| Do Not Go Gentle into That Good Night | |
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| The Death of the Ball Turret Gunner | |
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| Dream Song 4 | |
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| We Real Cool | |
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| For the Union Dead | |
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| Love Calls Us to the Things of This World | |
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| Aubade | |
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| A Supermarket in California | |
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| Paradoxes and Oxymorons | |
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| A Blessing | |
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| Cinderella | |
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| A Walk | |
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| Ethics | |
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| Metaphors | |
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| Daddy | |
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| The Tunnel | |
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| The Storm | |
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| Homage to My Hips | |
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| Barbie Doll | |
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| Siren Song | |
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| Digging | |
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| The One Girl at the Boys' Party | |
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| The School Children | |
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| Facing It | |
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| Prayer to the Pacific | |
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| An Aubade | |
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| The Colonel | |
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| Eagle Poem | |
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| Daystar | |
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| The Traveling Onion | |
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| Oranges | |
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| Bilingual Sestina | |
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| Boulevard du Montparnasse | |
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| Lost Sister | |
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| Eating Together | |
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| The Next Poem Could Be Your Last | |
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| Author Biographies | |
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| Acknowledgments | |
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| Historical Context for Poems | |
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| Index | |