George Dewolfe's Digital Photography Fine Print Workshop

ISBN-10: 0072260874
ISBN-13: 9780072260878
Edition: 2006
Authors: George DeWolfe
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Book details

List price: $42.00
Copyright year: 2006
Publisher: McGraw-Hill Education
Publication date: 5/16/2006
Binding: Paperback
Pages: 272
Size: 7.75" wide x 9.50" long x 0.50" tall
Weight: 1.958
Language: English

No further information has been provided for this title. .

George DeWolfe, MFA, has been a photographer since 1964. He studied with Ansel Adams and Minor White in the 1970s. DeWolfe has been published widely, gives workshops and lectures nationwide, and his work is in several permanent collections.He is currently Senior Editor for Camera Arts, as well as a consultant to Epson and Adobe.

Foreword
Acknowledgments
Introduction
Digital Fine Printing: An Overview
What Is a Digital Fine Print?
Qualities of a Digital Fine Print: The Essence of Craft
Cropping
Contrast
Brightness
Color
Defects
Sharpness
Introduction to the Digital Fine Print Workshop
Input
Copy
Crop
Optimize Contrast and Detail
Proof Setup, Overall Contrast, and Color Balance
Adjust Local Contrast, Brightness, and Color
Cleanup
Noise Removal and Sharpening
Interpolation
Print
Evaluating the Qualities of a Digital Fine Print
Seek a Unified Presence
Know the Instruments
Cropping
Contrast and Brightness
Color
Defects
Sharpness
Evaluate Continuously
Working with Luminosity and Color in Photoshop
The Colors
The Qualities of Color
Hue
Saturation
Brightness
How to Use Color in Photoshop
Adobe Camera Raw
Color Balance
Levels
Curves
Hue/Saturation
Photo Filter
Sponge Tool
The Workshop
Input, Copy, and Crop: Workflow for RAW Files
Transferring Images to the Computer
Basic Workflow for One Photograph Through Adobe Camera Raw
Basic Workflow for Two Photographs Through Adobe Camera Raw to Increase Dynamic Range
Blending Exposures in Optipix
Combining Two Images Using the "Claw"
Blending More Than Two Images Using Optipix
Input and Copy: Workflow for JPEG Files
Transferring Images to the Computer
Basic Preparation of JPEG Images
Basic Workflow for Two JPEG Images to Increase Dynamic Range
Blending Exposures in Optipix
Combining Two Images Using the "Claw"
Blending More Than Two Images Using Optipix
Optimize Contrast and Detail, and Balance the Image
Optimizing the Image with Optipix Refocus
Optimizing the Image with nik Sharpener Pro Raw Presharpening
Optimizing the Image with Photoshop CS2 Smart Sharpen
Balancing
Creating the Digital Fine Print Layer Workflow
Creating the Digital Fine Print Layer Workflow Manually
Creating and Applying the Digital Fine Print Layer Workflow Action
Proof Setup, Overall Contrast, and Color Balance
Proof Setup
Levels
Adjusting Overall Contrast and Brightness in Black-and-White (Grayscale) Images
Adjusting Overall Contrast, Brightness, and Color in Color (RGB) Images
Evaluating the First Print
Setting the Grays
Evaluating Color Balance
Local Contrast and Color
History Brush vs. Masking
Basic History Brush Technique
History Brush 101
History Brush 102
History Brush 103
Outlining
Local Color Improvements
Hue/Saturation
Sponge Tool
History Brush Examples
Final Preparation for Printing
Cleanup
Saving a Flat Version of the Image
Noise Removal and Sharpening
Interpolation
Edge Burning
Final Contrast Tweaks
Converting to 8-bit for Printing
Print
Printing with the Epson Stylus Photo R2400
Black-and-White Printing with the R2400 Epson Driver
Color Printing with the R2400 Epson Driver
Printing with the ColorByte ImagePrint RIP
Printing with the QuadTone RIP
The Highest Quality Print
Appendixes
What You Need
Computer and Equipment
Working Environment
Monitor
Monitor Calibrator
Printer
Printer Setup
Papers
Printer/Paper Profiles
Digital Camera
Drawing Tablet
Print Viewer
Card Reader
Software
Resource Links
Setting Up Photoshop
Color Settings
Palette Settings
The Info Palette
The Brushes Palette
The Actions Palette
Saving the Workspace
Some Thoughts About Color Management
Index

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