Acknowledgments | p. xv |
Introduction | p. xvii |
That's No Computer--It's Your Music Machine | p. 1 |
What Is Digital Music, Precisely? | p. 2 |
The Attributes of a Digital Music File | p. 4 |
What Dogs and Children Have in Common | p. 4 |
Uncompressed Audio Definitions | p. 5 |
Streaming vs. Downloading | p. 7 |
Focus on Codecs | p. 8 |
The "Analog Hole" | p. 8 |
What You Need (and What You Don't) | p. 11 |
What You Need | p. 12 |
The Heart of Your Setup | p. 12 |
Software Necessities | p. 16 |
Players | p. 16 |
Adding Plug-Ins and Visualizations to Winamp | p. 17 |
Rippers | p. 18 |
Burners | p. 18 |
Wave Editors | p. 19 |
The Curious Saga of CDDB | p. 20 |
Multitrack Editors | p. 20 |
Loop-Based Sequencers | p. 20 |
DJ Software | p. 21 |
Live Digital Audio Applications | p. 22 |
Copy a CD | p. 23 |
Your Burner Wants a Sidekick | p. 25 |
Copying Dodgy CDs | p. 25 |
Disc Selector | p. 26 |
Data Should Be a Clean-Burning Fuel | p. 26 |
All CD-Rs Are "for Audio" | p. 26 |
Copying CDs with Exact Audio Copy | p. 29 |
Where Did EAC Come From? | p. 29 |
Copying a Data CD of MP3s or Other Compressed Tunes | p. 32 |
Labeling | p. 33 |
Jewel Case Labels | p. 34 |
Labeling the CD | p. 34 |
The Life of a CD | p. 34 |
Rip a CD | p. 35 |
To Encode, or Not to Encode | p. 36 |
Ripping to WAV | p. 36 |
Ripping to WAV with EAC | p. 37 |
Tripping About Ripping | p. 37 |
Multiple Copies | p. 41 |
Ripping to AIFF with iTunes | p. 42 |
Ripping to MP3 | p. 43 |
Configuring EAC's Output to MP3 | p. 45 |
Installing the Lame Codec | p. 45 |
Setting Bit Rate | p. 46 |
Why LAME Isn't "Lame" | p. 46 |
Ripping and Encoding | p. 47 |
Ripping to WAV and MP3 | p. 48 |
Open-Source Ripper | p. 49 |
Verifying the MP3s | p. 50 |
Download Music | p. 51 |
The Straight and Narrow | p. 52 |
Band Sites | p. 52 |
Free Internet Radio and Downloads | p. 53 |
Be an Annoying Music Know-It-All | p. 54 |
Don't Have Issues; Get a Subscription | p. 54 |
Downloading from the "Gray Area" | p. 55 |
Saving Protected Audio | p. 55 |
Newsgroups: No Bed of Roses | p. 56 |
Internet Relay Chats: Primitive, Yet Effective | p. 56 |
FTP Ratio Sites: Under the Radar | p. 56 |
Viruses Fear Media | p. 56 |
Xochi's Delight | p. 58 |
P2P File-Sharing Clients and Networks | p. 58 |
Watch Your Step | p. 59 |
Centralized Equals Vulnerable | p. 60 |
The Freedom Fringe | p. 64 |
Delousing Your System of Spyware and Adware | p. 65 |
The Future of Downloading | p. 67 |
Record and Mix Live Audio | p. 69 |
Setup | p. 70 |
The Last Resort | p. 71 |
Sound Check | p. 72 |
Take It from the Top | p. 74 |
Editing 101 | p. 75 |
Adding VST Effects | p. 76 |
Adding More Tracks | p. 76 |
Mixing Down Your Multitrack Recording | p. 80 |
Mixing Down to MP3 | p. 80 |
Burn the Perfect Mix | p. 83 |
Song Selection | p. 84 |
Web Sites About Mixes | p. 84 |
Getting Clever with Compilations | p. 85 |
Theme Mixes | p. 86 |
Mixes for Specific Situations | p. 86 |
Preparation | p. 88 |
Taking Requests | p. 88 |
Normalization and Conversion | p. 88 |
Track Order Is Key | p. 89 |
Time to Burn | p. 90 |
Using EAC | p. 90 |
Step It Up a Notch | p. 90 |
Using Roxio Easy CD Creator Pro | p. 91 |
The Mix Is Burned | p. 94 |
Digitize Your Vinyl | p. 95 |
A Clean Connection | p. 96 |
Pure Digital | p. 97 |
The Analog RCA Output | p. 98 |
Analog Stereo Headphone Output | p. 99 |
Cables and Electromagnetic Interference | p. 99 |
Audiophile Systems, Alternative Configurations | p. 100 |
Sound Check | p. 100 |
Troubleshooting | p. 102 |
Why Phono Connections Are Different | p. 103 |
Setting Levels | p. 104 |
Recording One Side at a Time | p. 107 |
Zapping Pops and Hisses | p. 109 |
Exporting Individual Songs | p. 114 |
Exporting to Uncompressed WAV for CD Burning | p. 114 |
Exporting to MP3 | p. 116 |
Turn Your Digital Pictures into Music Videos | p. 117 |
Setting Up the Software | p. 118 |
Alternatives for Non-Windows Users | p. 119 |
Balancing Songs and Images | p. 120 |
Lining Up Pics and Tunes | p. 121 |
Think Before You Send | p. 121 |
Importing Images | p. 122 |
Configuring Images | p. 123 |
Adding Music to the Mix | p. 124 |
Setting Up Transitions (or Leaving Them Alone) | p. 124 |
Exporting Your Creation | p. 126 |
Turning Off the Screensaver (if Necessary) | p. 127 |
Video Editing Resources | p. 128 |
Build a Beat and Sample Library on Your Computer | p. 129 |
Man vs. Machine | p. 130 |
What Are Samples? | p. 131 |
Collecting Samples | p. 131 |
The Legality of Sampling | p. 131 |
Buying Loop CD-ROMs | p. 132 |
Downloading Samples | p. 132 |
Sampling an Audio CD | p. 134 |
Time Signatures | p. 135 |
Sampling Spoken-Word Recordings | p. 137 |
Sampling Vinyl | p. 139 |
Sampling Toys, Noise-Makers, or Your Own Voice | p. 139 |
Organizing Your Samples | p. 139 |
"The Library of Babel": a Cautionary Tale | p. 140 |
Sorting by Tempo | p. 140 |
Broadcast Audio to Every Radio in Your House--Wirelessly | p. 143 |
The Digital Solution | p. 144 |
Portable FM Transmitters | p. 145 |
The New Underground FM | p. 145 |
Home FM Transmitters | p. 146 |
Installation | p. 147 |
Pranks (Intentional or Otherwise) | p. 147 |
Turn Out Your Own DJ Set | p. 149 |
Preparation Is Key | p. 150 |
DJ Mixing | p. 150 |
Mixing with Tactile 12000 | p. 150 |
Effects, Samples, and Tricky Transitions | p. 152 |
Mixing with PCDJ Silver (aka MP3 Mixmaster) | p. 152 |
PCDJ Blue and Red (and FX) | p. 153 |
Keep 'Em Guessing | p. 155 |
Conceptual Transitions | p. 156 |
Pre-Fab Transitions and Effects | p. 157 |
The Six Degrees Mix | p. 160 |
Export the Songs, Spliced Together | p. 160 |
DJ-ing the Party | p. 160 |
Hooking Up to the Sound System | p. 160 |
Make a Self-Playing or Self-Burning CD | p. 161 |
Make a Self-Playing MP3 CD | p. 162 |
Arranging the Content | p. 163 |
The Incredible Disappearing Album Art | p. 164 |
Previewing the Mix | p. 164 |
Burning the Disc | p. 164 |
Zipping It Good | p. 165 |
Changing Skin | p. 165 |
Upload a Self-Burning CD to Your Web Site | p. 166 |
Obtaining Your Own Web Site | p. 166 |
Creating the Applet and Importing MP3s | p. 167 |
NetBurn Server | p. 171 |
Don't Click the Applet Yet! | p. 172 |
Create Your Own Internet Radio Station | p. 175 |
Creating a Launch Station | p. 176 |
Sculpting the Playlist | p. 176 |
Promoting Your LAUNCH Station | p. 178 |
Penny Royalty | p. 179 |
Program Your Own Station with Live365.com | p. 179 |
Setting Bit Rate and Station ID | p. 179 |
Fix Incorrect or Missing ID3 Tags | p. 181 |
Uploading and Sequencing | p. 182 |
Jump Through the Hoops | p. 184 |
Listen to Your Station | p. 185 |
Webcasting with Your Own Shoutcast Server | p. 185 |
Creating Live Broadcasts with Live365 from Your Desktop Mic | p. 185 |
The Open-Source Alternative | p. 186 |
Installing Your Own Shoutcast Server | p. 187 |
Webcasting and Copyright | p. 188 |
Firewalls and Shoutcast Servers | p. 188 |
Advertising and Promotion | p. 189 |
Close Servers Carefully | p. 190 |
Adding Voiceover | p. 193 |
Station ID | p. 194 |
Bounce Your Shoutcast Stream off a Dedicated Server | p. 194 |
Pool Your Resources | p. 195 |
Promoting Your Shoutcast Station | p. 195 |
Remixing 101 | p. 197 |
Preparation | p. 198 |
Sonic Foundry Acid | p. 198 |
Manual Beat-Matching | p. 199 |
Import the Song into Acid | p. 200 |
Mining for Loops with Audacity | p. 204 |
Equalize It | p. 204 |
Extract Samples | p. 204 |
"It's Got a Good Beat, and You Can Dance To It" | p. 204 |
Trimming the Loops | p. 206 |
Import the Samples into Acid | p. 208 |
Add Beats and Stir | p. 211 |
Paint to Compose | p. 211 |
Icing the Cake | p. 213 |
Add Effects | p. 213 |
Sound Can Be Dry or Wet | p. 213 |
Tips and Tricks | p. 220 |
Additional Sample Ideas | p. 221 |
Samples and Pitch | p. 221 |
Sharps and Flats Have Nothing to Do with Tires | p. 222 |
Mad Beat Tweaking | p. 223 |
Chopping In and Out | p. 224 |
Doubling/Multiplying Beats | p. 224 |
Add Glitches | p. 226 |
Acid Pro's Chopper | p. 226 |
Mastering | p. 227 |
Additional Resources | p. 227 |
Create a Mash-Up Remix | p. 229 |
"Doing a Missy" | p. 230 |
Preparation | p. 231 |
Acquiring an A Cappella Track | p. 231 |
Preparing the Songs | p. 232 |
Quantizing Makes This All Possible | p. 232 |
An Easy View | p. 235 |
First, the Vocals | p. 238 |
Then, Long Instrumental Loops | p. 238 |
The Sky's the Limit | p. 238 |
Acid Tips | p. 239 |
Pitch Shifting | p. 239 |
Paint the Music | p. 239 |
Arrangement | p. 239 |
Response to "A Stroke of Genius" | p. 241 |
Mastering and Mixing Down | p. 241 |
Titling Your Creation | p. 241 |
Additional Resources | p. 241 |
Legal Considerations | p. 243 |
The Rights of a Copyright Holder | p. 243 |
The Right to Reproduce the Work | p. 244 |
The Right to Make Derivative Works Based on the Original Work | p. 244 |
The Right to Distribute the Work | p. 244 |
The Right to Perform a Work Publicly | p. 244 |
The Right to Display the Work Publicly | p. 245 |
The Right to Transmit Digitally | p. 245 |
Fair Use | p. 245 |
Glossary | p. 247 |
Index | p. 255 |
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