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Introduction | |
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Reading Poetry | |
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The Experience of Reading Poetry: Robert Hayden, Those Winter Sundays | |
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The Process of Reading Poetry: Robert Frost, Mending Wall | |
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The Practice of Active Reading: Theodore Roethke, My Papa's Waltz | |
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Centering on Subject and Theme: Elizabeth Bishop, One Art | |
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Aspects of Poetry | |
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Voices: Stephen Crane, War Is Kind | |
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William Carlos Williams, The Widow's Lament in Springtime; T.S. Eliot, Journey of the Magi | |
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Gwendolyn Brooks, The Mother Words: Edwin Arlington Robinson, Miniver Cheevy | |
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Adrienne Rich, Rape Elizabeth Bishop, Filling Station | |
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Images: Elizabeth Bishop, First Death in Nova Scotia HD (Hilda Doolittle), Heat Robert Lowell, The Drinker Ezra Pound, The River-Merchant's Wife: A Letter | |
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Comparisons: Langston Hughes | |
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Dream Deferred Robert Wallace | |
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The Double Play Sylvia Plath | |
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Metaphors Marianne Moore | |
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The Mind Is an Enchanting Thing | |
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Symbols Peter Meinke | |
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Advice to My Son Robert Frost | |
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The Road Not Taken Emily Dickinson | |
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Because I could not stop for Death Hart Crane | |
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Royal Palm | |
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Sentences: Adrienne Rich | |
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Prospective Immigrants Please Notes Robert Frost | |
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The Silken Tent e.e. Cummings | |
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Me up at does Wallace Stevens | |
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No Possum | |
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No Sop | |
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No Taters | |
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Sounds: Robert Frost | |
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Stopping by Woods on a Snowy Evening Walt Whitman | |
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When I Heard the Learn'd Astronomer Wallace Stevens | |
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Peter Auince at the Clavier May Swenson | |
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The Universe Helen Chasin | |
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The Word Plum | |
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Rhythms: Robert Frost | |
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The Span of Life Langston Hughes | |
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Ballad of the Landlord Theodore Roethke | |
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Elegy for Jane Richard Wilbur | |
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Junk | |
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Structure: Edna St. Vincent Millay | |
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I Dreamed I Moved among the Elysian Fields | |
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Love Is Not All: It Is Not Meat Nor Drink | |
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What My Lips Have Kissed, and Where, and Why; John Crowe Ransom, Piazza Piece | |
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Walt Whitman, When I Heard the Learn'd Astronomer | |
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e.e. Cummings, 1, Buffalo Bill's | |
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William Carlos Williams, The Dance | |
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Theodore Roethke, The Waking | |
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A.R. Ammons, Poetics | |
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Revisions | |
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Walt Whitman: A Noiseless Patient Spider | |
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The Soul, Reaching, Throwing Out for Love | |
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Robert Frost: Design | |
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In White | |
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Emily Dickinson: Safe in their Alabaster Chambers (1859 and 1861 versions) | |
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Marianne Moore: Poetry (1921, 1924, and 1967 versions) | |
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William Carlos Williams: This Is Just to Say | |
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Kenneth Koch: Variations on a Theme by William Carlos Williams | |
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Henry Reed: Chard Whitlow | |
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Pieter Breughel the Elder: LandScape with the Fall of Icarus | |
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William Carlos Williams: Landscape with the Fall of Icarus. W.H. Auden: Musee des Beaux Arts Pieter Breughel the Elder: Hunters in the Snow | |
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William Carlos Williams: The Hunters in the Snow | |
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John Berryman: Winter Landscape | |
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Major Voices and Visions | |
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Walt Whitman (1819-1892): One's-Self I Sing | |
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Song of Myself | |
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There Was a Child Went Forth | |
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Crossing Brooklyn Ferry | |
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Out of the Cradle Endlessly Rocking | |
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The Dalliance of the Eagles | |
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Cavalry Crossing a Ford | |
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Bivouac on a Mountain Side | |
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By the Bivouac's Fitful Flame | |
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Vigil Strange I Kept on the Field One Night | |
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A Sight in Camp in the Daybreak Gray and Dim | |
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The Wound Dresser | |
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Reconciliation | |
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When Lilacs Last in the Dooryard Bloom'd. Emily Dickinson (1830-1866): I cannot dance upon my Toes | |
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The Soul selects her own Society | |
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Success is counted sweetest | |
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"Faith" is a fine invention | |
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I'm "wife"-I've finished that | |
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I like a look of Agony | |
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Wild Nights-Wild Nights! | |
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I can wade Grief | |
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There's a certain Slant of light | |
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I felt a Funeral, in my Brain | |
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The Soul's Superior instants | |
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Of all the Sounds despatched abroad | |
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Some keep the Sabbath going to Church | |
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A Bird came down the Walk | |
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After great pain, a formal feeling comes | |
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Dare you see a Soul at the White Heat? | |
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Much Madness is divinest Sense | |
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This was a Poet-It is That | |
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I died for Beauty-but was scarce | |
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I heard a Fly buzz-w | |