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Third Line The Opera Performer As Interpreter

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ISBN-10: 0028710363

ISBN-13: 9780028710365

Edition: 1993

Authors: Daniel Helfgot, William O. Beeman

List price: $38.00
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Description:

This text offers clear guidance in making music visual. It proposes that performers study the opera's score third line - movement, focus, facial expression and vocal inflections that can be naturally derived from the interaction of text and music - to transform the score into reality on the stage.
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Book details

List price: $38.00
Copyright year: 1993
Publisher: Cengage Gale
Binding: Hardcover
Pages: 272
Size: 6.50" wide x 9.75" long x 1.00" tall
Weight: 1.144
Language: English

WILLIAM O. BEEMAN is Professor of Anthropology and Director of Middle East Studies at Brown University, and Visiting Professor (2004-2005) of Cultural and Social Anthropology at Stanford University. He has lived and conducted research for over 30 years in all areas of the Middle East. He has served as a consultant to the U.S. State Department and the Department of Defense, and has testified before Congress on Middle Eastern affairs.

Preface
Acknowledgments
Why We Need the Third Line
Preparation for the Third Line: A Capable Mind in a Capable Body
Third Line Skills I: The Opera Performer as Actor
Thin Line Skills II: The Opera Performer as Musician
Third Line Skills III: Movement and Expression
Writing the Third Line
Practicing the Third Line
Accomplishing the Third Line
Help in Writing the Third Line: Coaches and Other Aids in Learning
Balancing the Third Line: The Singer and the Voice Teacher
Using the Third Line: The Audition
Performing with the Third Line: Competition and Recitals
Expanding the Third Line: Opera as an Art Form
Appendix: Resources for Opera: An Annotated Bibliography
Index