| Preface | p. vii |
| The Background | |
| Introduction | p. 2 |
| Pergolesi: Two Arias from La serva padrona ["The Servant Mistress"] | p. 5 |
| Aria (Dr. Uberto), "Sempre in contrasti" | p. 6 |
| Aria (Serpina), "A Serpina penserete" | p. 11 |
| Sammartini: Symphony for Strings in D Major (J.-C. 15) | p. 16 |
| D. Scarlatti: Two Sonatas for Keyboard, in D Major and D Minor (K. 119, 120) | p. 25 |
| Stamitz: Symphony in D Major (La melodia germanica/op. 11 i) | p. 35 |
| C. P. E. Bach: Sonata for Keyboard in G Major (Wq. 55 vi) | p. 52 |
| Gluck: Excerpt (Act I, Scenes 1 and 2) from Orfeo ed Euridice | p. 62 |
| Haydn | |
| Introduction | p. 78 |
| String Quartet in B-flat Major (op. 1 i) | p. 79 |
| Allegro di molto (Second Movement), from the Symphony in F Minor (No. 35a or 49, La passione) | p. 95 |
| String Quartet in C Major (op. 20 ii) | p. 109 |
| String Quartet in G Major (op. 33 v) | p. 133 |
| Symphony No. 99 in E-flat Major | p. 157 |
| Sonata for Piano in E-flat Major (No. 52) | p. 229 |
| Recitative and Chorus, "Die Himmel erzahlen," from Die Schopfung ["The Creation"] | p. 244 |
| String Quartet in F Major (op. 77 ii) | p. 285 |
| Mozart | |
| Introduction | p. 322 |
| Symphony No. 23 in D Major (K. 162b/181) | p. 323 |
| Piano Concerto No. 9 in E-flat Major (K. 271) | p. 339 |
| Selections from Die Entfuhrung aus dem Serail ["The Abduction from the Harem," K. 384] | p. 394 |
| Aria (Osmin), "Solche hergelauf'ne Laffen" | p. 399 |
| Recitative and Aria (Belmonte), "O wie angstlich" | p. 410 |
| Trio, Finale, Act I (Osmin, Belmonte, Pedrillo) | p. 420 |
| String Quartet in G Major (K. 387) | p. 429 |
| Symphony No. 38 in D Major (Prague, K. 504) | p. 449 |
| String Quintet in G Minor (K. 516) | p. 491 |
| Minuet from Ein musikalischer Spass ["A Musical Joke," K. 522] | p. 519 |
| Selections from Don Giovanni (K. 527) | p. 524 |
| Aria (Leporello), "Madamina, il catalogo" | p. 527 |
| Recitative (Anna, Ottavio) and Aria (Anna), "Or sai chi' l'onore" | p. 541 |
| Excerpt ("Minuet Scene"), from Finale, Act I | p. 556 |
| Trio (Elvira, Don Giovanni, Leporello), "Ah! taci, ingiusto core" | p. 576 |
| Aria (Ottavio), "Il mio tesoro" | p. 585 |
| Selections from Die Zauberflote ["The Magic Flute," K. 620] | p. 590 |
| Song (Papageno), "Der Vogelfanger bin ich ja" | p. 595 |
| Song (Sarastro, with chorus), "O Isis und Osiris" | p. 599 |
| Excerpt, from Finale, Act II | p. 601 |
| Beethoven | |
| Introduction | p. 612 |
| Sonata No. 7 for Piano in D Major (op. 10 iii) | p. 613 |
| First Movement from Sonata No. 17 for Piano in D Minor (The Tempest, op. 31 ii) | p. 632 |
| Symphony No. 3 in E-flat Major (Eroica, op. 55) | p. 640 |
| String Quartet in F Major (op. 59 i) | p. 820 |
| Trio (Leonora, Florestan, Rocco), "Euch werde Lohn," from Fidelio, Act II | p. 856 |
| Sonata No. 31 for Piano in A-flat Major (op. 110) | p. 870 |
| String Quartet in C-sharp Minor (op. 131) | p. 886 |
| Bibliography | p. 928 |
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