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Choral Methods and Techniques | |
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Artistic Excellence | |
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Choral Excellence | |
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The Attributes of Success | |
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The Commitment to Excellence | |
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The Elements of an Inspirational Personality | |
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A Soloistic Approach to Ensemble Singing | |
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Great Soloists Can Make Great Choral Singers | |
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Facilitating Soloistic Singing--The Soloistic Environment | |
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The Relationship between Conductor and Singer | |
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Breath Support | |
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Breath Control | |
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Developing a Great Singing Sound | |
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The Development of Choral Singing in America | |
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Defining and Teaching a Natural Choral Sound | |
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Individual Section Characteristics, Problems, and Solutions | |
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Vibrato | |
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Individual Section Characteristics | |
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Concepts of Choral Section Balance | |
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A Unified Approach to Vowel Formation | |
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Vocalizing and Warm-Ups | |
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Using Vocalizing and Warm-Ups Productively | |
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Structuring Warm-Up Sessions | |
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Rhythmic Interest, Forward Motion, and Phrasing | |
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Rhythmic Interest Results from Off-Beat Emphasis | |
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Forward Motion | |
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Rhythmic Interest, Forward Motion, and Phrasing | |
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The Scores: The Source of These Techniques | |
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Honor the Composer | |
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English Diction, Dramatic Communication of Text, and Latin Pronunciation | |
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The Percussion of Our Language: Consonants | |
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The Five Most Important Rules of English Diction | |
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Textual Communication | |
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Liturgical Pronunciation of Latin | |
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Score Preparation and Analysis | |
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Style | |
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Text | |
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Tempo | |
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Structural Analysis | |
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An Example of Structural Analysis: Haydn, The Creation, "Awake The Harp" | |
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Analysis Worksheet and Markings | |
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Rehearsals and Auditions | |
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Basic Necessities for the Conductor | |
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Rehearse Efficiently | |
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Sitting and Standing Arrangements | |
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Rehearsal Planning | |
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Chorus Auditions | |
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Handel's Messiah and Artistic Conducting | |
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Thoughts on Handel's Messiah | |
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Messiah Performance Information | |
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Artistic Musical Conducting | |
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Great Conductors | |
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The Physical Gestures of Conducting | |
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The Baton | |
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Beat Patterns | |
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The Conducting Zone | |
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The Standard Beat Patterns | |
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Dynamics | |
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Preparatory Beats | |
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Beat Styles | |
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Fermatas | |
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Compound versus Simple Meter | |
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A Balance between Listening and Conducting | |
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The Role of the Conductor | |
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An Artistic Choral Conductor | |
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Self-Evaluation | |
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A Career in Music Is a Privilege | |