Nelson and Jeanette A Two-Person Play in Two Acts
Nelson Eddy was a tall, handsome baritone from the opera and concert stage.Jeanette MacDonald was a beautiful redhead, a soprano who began her career in a Broadway chorus, then was drafted to Hollywood when the movies started to "talk" and More...
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Publisher: CreateSpace Independent Publishing Platform
Size: 5.25" wide x 8.00" long x 0.20" tall
Nelson Eddy was a tall, handsome baritone from the opera and concert stage.Jeanette MacDonald was a beautiful redhead, a soprano who began her career in a Broadway chorus, then was drafted to Hollywood when the movies started to "talk" and sing.Together at Metro-Goldwyn-Mayer, they were "America?s Singing Sweethearts," starring in a series of classic musicals that endeared them to audiences during the 1930s and decades beyond. NAUGHTY MARIETTA, ROSE MARIE, MAYTIME, SWEETHEARTS and NEW MOON are among the films that their legions of fans enjoy to this day.Off-screen, however, the MacDonald/Eddy relationship was not always as amiable as their public might have fantasized. Rumors persisted of their on-set quarrels, as well as a torrid romance, even though both would marry others.NELSON AND JEANETTE, Michael B. Druxman's two-character stage play, takes an affectionate, insightful look at the two beloved stars, joining them in the early 1960s, as they think back on their careers, struggling to decide whether they should work together in one last film. They reminisce about the good times and the bad, recalling Louis B. Mayer, Clark Gable, Maurice Chevalier, Allan Jones, John Barrymore and others, as they sing the songs for which they?re warmly remembered
Michael B. Druxman is a veteran Hollywood screenwriter whose credits include CHEYENNE WARRIOR with Kelly Preston; DILLINGER AND CAPONE starring Martin Sheen and F. Murray Abraham; and THE DOORWAY with Roy Scheider, which he also directed. He is also a prolific playwright, his one-person play, JOLSON, having had numerous productions around the country. Other produced stage credits include one-person plays about Clark Gable, Carole Lombard, Spencer Tracy and Orson Welles. Additionally, Mr. Druxman is the author of thirteen other published books, including several nonfiction works about Hollywood, its movies, and the people who make them (e.g., BASIL RATHBONE: His Life and His Films, MAKE IT AGAIN, SAM: A Survey of Movie Remakes, ONE GOOD FILM DESERVES ANOTHER: A Survey of Movie Sequels, MERV [Griffin] and THE MUSICAL: From Broadway to Hollywood). He has written two novels, NOBODY DROWNS IN MINERAL LAKE and SHADOW WATCHER, plus the humorous revisionist history, ONCE UPON A TIME IN HOLLYWOOD: From the Secret Files of Harry Pennypacker, and FAMILY SECRET, a non-fiction book co-authored with Warren Hull, which reveals the true facts behind the 1947 murder of mobster "Bugsy" Siegel in Beverly Hills. An acknowledged Hollywood historian, he has also written television documentaries and has been interviewed for various retrospective featurettes that have accompanied DVD releases of classic films (e.g. THE MALTESE FALCON, etc.). Mr. Druxman is a former Hollywood publicist of 35 years experience who has represented many film and television stars, as well as noted directors, producers and composers. One of his Academy Award campaigns is often mentioned in books dealing with Oscar's history. He has taught various dramatic writing and film appreciation courses in an adult university and is the author of How to Write a Story...Any Story: THE ART OF STORYTELLING, which has been used as a text in several colleges. A native of Seattle who graduated from Garfield High School and the University of Washington, Mr. Druxman moved with his wife, Sandy, from Los Angeles to Austin, TX in 2009. His memoir, MY FORTY-FIVE YEARS IN HOLLYWOOD AND HOW I ESCAPED ALIVE, is published by Bear Manor Media.