Earthly Paradise, March-August
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts More...
Buy it from:
Order within the next:
same day shipping!
List Price: $45.75
Size: 7.44" wide x 9.69" long x 1.31" tall
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
Morris was the Victorian Age's model of the Renaissance man. Arrested in 1885 for preaching socialism on a London street corner (he was head of the Hammersmith Socialist League and editor of its paper, The Commonweal, at the time), he was called before a magistrate and asked for identification. He modestly described himself upon publication (1868--70) as "Author of "The Earthly Paradise,' pretty well known, I think, throughout Europe." He might have added that he was also the head of Morris and Company, makers of fine furniture, carpets, wallpapers, stained glass, and other crafts; founder of the Society for the Protection of Ancient Buildings; and founder, as well as chief designer, for the Kelmscott Press, which set a standard for fine book design that has carried through to the present. His connection to design is significant. Morris and Company, for example, did much to revolutionize the art of house decoration and furniture in England. Morris's literary productions spanned the spectrum of styles and subjects. He began under the influence of Dante Gabriel Rossetti with a Pre-Raphaelite volume called The Defence of Guenevere and Other Poems (1858); he turned to narrative verse, first in the pastoral mode ("The Earthly Paradise") and then under the influence of the Scandinavian sagas ("Sigurd the Volsung"). After "Sigurd," his masterpiece, Morris devoted himself for a time exclusively to social and political affairs, becoming known as a master of the public address; then, during the last decade of his life, he fused these two concerns in a series of socialist romances, the most famous of which is News from Nowhere (1891).