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    Asian Canadian Theatre

    ISBN-10: 0887549861
    ISBN-13: 9780887549861
    Edition: 2011
    Description: This is the first book to consider the formation, history, and practice of Asian Canadian theatre.
    List price: $25.00
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    List Price: $25.00
    Copyright Year: 2011
    Publisher: Playwrights Canada Press
    Publication Date: 9/20/2011
    Binding: Paperback
    Pages: 240
    Size: 6.25" wide x 9.25" long x 0.50" tall
    Weight: 0.880

    This is the first book to consider the formation, history, and practice of Asian Canadian theatre.

    Nina Lee Aquino is a director, dramaturge, and playwright. She is Artistic Director of Cahoots Theatre Company and Artistic Associate of the Factory Theatre. Nina co-wrote

    KAREN BAMFORD is the Charles and Joseph Allison Chair of English Language and Literatures at Mount Allison University.RIC KNOWLES is a professor in the Department of Drama at the University of Guelph.

    General Editor's Preface
    Acknowledgements
    Introduction to Asian Canadian Theatre
    Enunciating Asian Canadian Drama
    Performing Asian Canadlin: The Theatrical Dimension of a Grassroots Activism
    Is There an Asian Canadian Theatre in Vancouver?
    Homeland Under Attack: Looking for a New Theatrical Paradigm in Asian Americas
    Performing Traditions and Diasporic Efforts: The Kunqu Society and Little Pear Garden Collective
    On Being an Elder Statesperson
    "Patient Zero": Jean Yoon and Korean Canadian Theatre
    Reflections on the "Roots" Panel and "The Generational Divide"
    Le Rugissement du Lion: Mapping and Memory in Montreal's Chinese/Canadian Street Theatre
    Hybridity
    Asian Canadian Performance and the Politics of Misrecognition
    Sketching Subversion: Improv and the Representation of Race in Asian Canadian Comic Performances
    Toronto: Don't Be an Asshole
    The CBT Collective: Toward a Filipino Canadian Dramaturgy
    Nightwood Theatre, Asian Canadian Women, and China Doll: The Ties That Bind
    Asian Canadian Footprints in Edmonton's Concrete Theatre
    Regional Artists/Racialized Spaces
    Manipulating Theatrical Space to Create Physical Place: Betty Quan's Mother Tongue Reclaiming Space for the Individual
    Performing Asian Canadian Intimacy: Theatre Replacement's bloboxes and awkward multiculturalisms
    Jade in the Coal and the Performance of Theatrical Interculturalism
    Acting Asian
    Affect, Family, and the Past in Two Plays
    Kai-dai; Staging Queer Subjectivity in Winston Christopher Kam's Bachelor-Man
    Works Cited
    Notes on Contributors
    Index

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