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| Acknowledgments | |
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| Introduction | |
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| Guatemala-Into Today's World | |
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| The Evolution of the Mask | |
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| The Essence of the Mask, Materials, and Carvers | |
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| Patina, a Mask Surface | |
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| Acquiring and Collecting of a Mask | |
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| Renting the Mask and Costume-Morerias | |
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| Tomas Buchan, Chichicastenango | |
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| Santo Tomas, Chichicastenango | |
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| Moreria de Solola, Barrio El Calvario Solola | |
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| Moreria de San Antonio de Aguas Calientes, Suchitepequez | |
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| Moreria Tistoj and Moreria Alejandro Tistoj y Hijos, San Cristobal, Totonicapan | |
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| The Dance/Drama Observation | |
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| Dance of the Hunt, Deer, and Animals | |
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| Script: Dance of the Animals | |
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| Monkey, the Rope Testers, and Guacamaya | |
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| Monkey | |
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| Rope Testers | |
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| Guacamaya | |
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| Dance of the Tun | |
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| Patzcar/Goiter Dance | |
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| Dance of the Moors and Christians, Conquest, Charlemagne, Alvarado, and Malinche | |
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| Script: Segment Dance of Conquest | |
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| Script: Moor King | |
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| Dance of the Conquest, Tecun Uman, and Ajitz | |
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| Script: Atitlan Dance of the Conquest | |
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| Ajitz | |
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| Saint George and the Dragon, Baile de la Serpiente | |
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| Torito/Mexicano/Vaquero and Negrito | |
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| Script: Baile de los Vaqueros | |
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| Script: Baile de los Mexicanos | |
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| Crucifixion, A Christian Drama | |
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| Devil | |
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| Script: La Legenda de los 24 Diablos | |
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| Script: An Angel, Devil and the Drunkard | |
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| Folk Saints with Masks; San Simon/Maximon and Judas | |
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| Xecalcojes, Palo Volador, Gigante, and Protest | |
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| Xecalcojes | |
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| Palo Volador | |
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| Gigante | |
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| Mask of Protest | |
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| Clowns/Baile Tipica/Disfraces and Pachee: Real or Fabrication? | |
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| References | |
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| Sources of Photographs and Objects | |
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| Collections/Photographs by Individual and Institutions | |